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Dear Current Occupant
Literary Nonfiction. From Vancouver-based writer Chelene Knight, DEAR CURRENT OCCUPANT is a creative nonfiction memoir about home and belonging set in the 80s and 90s of Vancouver's Downtown Eastside. Using a variety of forms including letters, essays and poems, Knight reflects on her childhood through a series of letters addressed to all of the current occupants now living in the twenty different houses she moved in and out of with her mother and brother. From blurry and fragmented non-chronological memories of trying to fit in with her own family as the only mixed East Indian/Black child, to crystal clear recollections of parental drug use, Knight draws a vivid portrait of memory that stil...
Junie
Longlisted for the 2023 Carol Shields Prize for Fiction A riveting exploration of the complexity within mother-daughter relationships and the dynamic vitality of Vancouver's former Hogan's Alley neighbourhood. 1930s, Hogan's Alley--a thriving Black and immigrant community located in Vancouver's East End. Junie is a creative, observant child who moves to the alley with her mother, Maddie: a jazz singer with a growing alcohol dependency. Junie quickly makes meaningful relationships with two mentors and a girl her own age, Estelle, whose resilient and entrepreneurial mother is grappling with white scrutiny and the fact that she never really wanted a child. As Junie finds adulthood, exploring her artistic talents and burgeoning sexuality, her mother sinks further into the bottle while the thriving neighbourhood--once gushing with potential--begins to change. As her world opens, Junie intuits the opposite for the community she loves. Told through the fascinating lens of a bright woman in an oft-disquieting world, this book is intimate and urgent--not just an unflinching look at the destruction of a vibrant community, but a celebration of the Black lives within.
Breaking the Ocean
In Breaking the Ocean, diversity and inclusion specialist Annahid Dashtgard addresses the long-term impacts of exile, immigration, and racism by offering a vulnerable, deeply personal account of her life and work. Annahid Dashtgard was born into a supportive mixed-race family in 1970s Iran. Then came the 1979 Revolution, which ushered in a powerful and orthodox religious regime. Her family was forced to flee their homeland, immigrating to a small town in Alberta, Canada. As a young girl, Dashtgard was bullied, shunned, and ostracized both by her peers at school and adults in the community. Home offered little respite, with her parents embroiled in their own struggles, exposing the sharp cont...
Our Bodies and Other Fine Machines
Natalie Wee'sOur Bodies & Other Fine Machinesis a roadmap. Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls.") But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee's room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go. - Hanif Willis-Abdurraqib, Author of The Crown Ain't Worth Much Natalie Wee's writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into...
Bodymap
Bodymap continues Leah's meditation on survival and what it means to be a queer woman of colour in North America, while also striving to document small moments of the body's resistance, and legacy. Bodymap is divided into five sections. Evidence opens with poems that document transformative love and desire through a queer partnership's evolution and dissolution. Crip World contains poems exploring sick and disabled queer experience through body stories. Hard Girls is a mapping of tough femininity in the bodies of the poet's lovers and comrades. Wrong Is Not Yours contains the political, from the struggles of friends crossing the border to the choice made in claiming a Sri Lankan name. What kind of ancestor do you want to be? The final section, explores ancestry and queer parenting.
Black Writers Matter
"Black Writers? African, Bluesy, Classical, Disrespectful, Erudite, Fiery, Groovy, Haunting, Inspiring, Jazzy, Knowing, Liberating, Militant, Nervy, Optimistic, Pugnacious, Quixotic, Rambunctious, Seductive, Truculent, Urgent, Vivacious, Wicked, X-ray sharp, Yearning, Zesty. And so, they matter!" --George Elliott Clarke An anthology of African-Canadian writing, Black Writers Matter offers a cross-section of established writers and newcomers to the literary world who tackle contemporary and pressing issues with beautiful, sometimes raw, prose. As editor Whitney French says in her introduction, Black Writers Matter "injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity. " An "invitation to read, share, and tell stories of Black narratives that are close to the bone," this collection feels particular to the Black Canadian experience.
A Match Made for Murder
Winner of the 2021 Bony Blithe Light Mystery Award “An intriguing mix of character, plot, time, and place. Highly recommended.” —Ian Hamilton, author of the bestselling Ava Lee novels Lane and Darling's Arizona honeymoon is interrupted by gunshots in the newest instalment in a series Kirkus Reviews calls "relentlessly exciting." It’s November, and Lane and Darling have escaped the chilly autumn in the Kootenays for a honeymoon at the posh and romantic Santa Cruz Inn in sunny Tucson, Arizona. But despite her very best intentions to relax, soon after their arrival Lane’s plans to spend the holiday poolside with a good mystery are interrupted by gunfire. One of the hotel’s wealthy g...
Gold Pours
In this debut collection by emerging poet Aurore Gatwenzi, a stunning new voice emerges as she shares the experience of being young and Black in northern Ontario. Gold Pours is a collection of poems that talk about God, identity, heartbreak and passion. Gatwenzi's honest approach to writing exposes readers to humility, surrender and lessons learned from courageous acts of vulnerability.
Burning Sugar
The latest from Vivek Shraya's VS. Books: a poetic exploration of Black identity, history, and lived experience influenced by the constant search for liberation.
Persephone's Children
Finalist for 2022 Governor General’s Literary Award for Non-Fiction • Co-Winner of 2022 Eileen McTavish Sykes Award for Best First Book After years of secrecy and silence, Rowan McCandless leaves an abusive relationship and rediscovers her voice and identity through writing. She was never to lie to him. She was never to leave him; and she was never supposed to tell. Persephone’s Children chronicles Rowan McCandless’s odyssey as a Black, biracial woman escaping the stranglehold of a long-term abusive relationship. Through a series of thematically linked and structurally inventive essays, McCandless explores the fraught and fragmented relationship between memory and trauma. Multiple mythologies emerge to bind legacy and loss, motherhood and daughterhood, racism and intergenerational trauma, mental illness and resiliency. It is only in the aftermath that she can begin to see the patterns in her history, hear the echoes of oppression passed down from unknown, unnamed ancestors, and discover her worth and right to exist in the world. A RARE MACHINES BOOK
