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In blues music, "worrying the line" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr
"Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate." -- Jason Zappe, Copley News Service "By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ende...
This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike.
Writing by and about black women - an activity once regarded as marginal - has become essential to any consideration of the role of literature in society. Black women's writing raises issues of race, class, and gender, and questions the formation of the literary canon, the creation and maintenance of tradition, and the role of the media in controlling perceptions of what matters.
Delia Jones endures the relentless cruelty of her husband, Sykes, in a small Florida town. As a hardworking washwoman, she finds solace in her routine and the church, despite Sykes's abusive behavior and infidelity. When Sykes brings a deadly rattlesnake into their home to terrorize her further, Delia's fear transforms into a cold, determined rage.
The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out-of-print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.
Discover a new collection of cozy quilts in the primitive country style that made Country Comforts so popular. With her casual approach and appealing quilt patterns, Cheryl Wall invites quilters of all skill levels to enjoy the creative process. Create 13 homey patchwork quilts in a variety of sizes; many are accented with charming applique details Learn piecing methods as well as simple techniques for cotton and wool applique Make great use of your scraps in these country-style projects
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
In nineteenth-century England, ten-year-old Emma, accustomed to long working hours at the silk mill and the poverty and hunger of her sister's house, finds her life completely changed when she inadvertently gets a job on a canal boat carrying cargoes between several northern towns.
Romancing the Gullah in the Age of Porgy and Bess is a literary and cultural history of a place: the Gullah Geechee Coast, a four-state area that’s one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. Romancing the Gullah seeks to fill a gap and correct the maps. While there is a veritable industry of books on literary Charleston and on “the lowcountry,” along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Great Migration and the Harlem (and Charleston) Renaissance. By giving voice to artists and culture makers on both sides of the color line, uncovering buried histories, and revealing secret connections between races amid official practices of Jim Crow, Romancing the Gullah sheds new light on an only partially told tale. A labor of love by a Charleston insider, the book imparts a lively and accessible overview of its subject in a manner that will satisfy the book lover and the scholar.