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The Light Across
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Gilles Peress and Chris Klatell: Annals of the North
An almanac to the world of Gilles Peress' Whatever You Say, Say Nothing, delineating the decades of conflict in Northern Ireland In Annals of the North, New York-based photographer Gilles Peress (born 1946) and writer and lawyer Chris Klatell combine essays, stories, photographs, documents and testimonies to open up for the reader the complicated and contradictory storylines that emerged from the conflict in the North of Ireland. Weighed down by 800 years of colonization but only the size of Connecticut (with half its population), Northern Ireland provides a remarkably intimate stage set. Interweaving text and image, Annals of the Northexamines the multifaceted struggle between Irish Republicans and Nationalists, Protestant Unionists and Loyalists, and the imperial British, to explore broader themes of empire, retribution and betrayal, as well as the tense dialectic between the ordinary demands of everyday life and periodic explosions of violence. The book is at once wide-ranging yet deeply personal and political, alternately dense and humorous, legal and literary.
Donovan Wylie
Photographing individual lighthouses as seen from the opposing coastlines of France and the home nations of the United Kingdom, Belfast-based photographer Donovan Wylie (born 1971) confronts the physical barriers and invitations to crossing created by the sea. Immediately following the June 2016 referendum on Brexit, Wylie began exploring ideas of family dynamics and fractured relationships as a way to understand the United Kingdom's current state. In collaboration with the writer Chris Klatell and the Seamus Heaney Centre, this project responds to Virginia Woolf's To the Lighthouse (1927), which investigates the complexities of seeing, loss and the passage of time. By photographing the afterglow of distant lighthouses to process the tensions and complexities of identity and isolationism, Lighthouse simultaneously represents closeness and distance, interrogating how the isolation of the British landscape contributes to understanding national identity.
Inge Morath
Witty, playful, and effortlessly chic, Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923–2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women—from actresses to seamstresses to writers—everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath’s creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life’s brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time.
Behind the Burqa
Advance Praise for Behind the Burqa "Whenever and wherever adults make war, children die and women are subjected to fear and humiliation. This is true of Afghanistan too. Read this harrowing book. The tragic yet heroic tale of two women is told with great simplicity. They will haunt you." -Elie Wiesel, Nobel Peace Prize Laureate "The stories of Sulima and Hala achingly articulate the twin and enduring legacies of misogyny and violence. A critical historical document, Behind the Burqa ultimately reveals the unbreakable strength of Afghan women." -Eve Ensler, author of The Vagina Monologues Founder and Artistic Director, V-Day "Behind the Burqa provides important information about conditions i...
Rochester 585/716
In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers from Magnum Photos--Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video--established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film. Their goal: to create both a documentary archive of that city's culture and landscape, and a photo-based experience engaging its residents; and to investigate a community of picture-makers comprised not only of Eastman Kod...
Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology
Art and Answerability, the work that would become Mikhail Bakhtin’s literary manifesto, was first published in Den Iskusstva (The Day of the Art) on September 13, 1919. Mikhail Bakhtin’s Heritage in Literature, Arts, and Psychology: Art and Answerability celebrates one hundred years of Bakhtin’s heritage. This unique book examines the heritage of Mikhail Bakhtinin a variety of disciplines.To articulate the enduring relevance and heritage of the varied works of Bakhtin, sixteen scholars from eight countries have come together, and each has brought his/her unique perspective to the subject. Bakhtin’s work in aesthetics, moral philosophy, linguistics, psychology, carnival, cognition, contextualism, and the history and theory of the novel are present here, as understood by a wide variety of distinguished scholars.
Face
A defining characteristic of Bruce Gilden's photography is his creative attraction to what he calls 'characters', and he has been tracking them down all through his career. Growing up in Brooklyn with what he describes as a 'tough guy' of a father, Bruce Gilden developed a love of the streets, often calling them his 'second home'. The unique energy of the streets mesmerised Bruce, an energy that can momentarily expose something inside people that generally stays hidden.
The Keith Haring Show
Art icon of the 1980s, Keith Haring first gained attention in the late 1970s for his drawings in the New York City subways. Over the next decade his subway graffiti, murals, sculptures and paintings gained worldwide recognition. Harings meteoritic artistic career spanned from 1980 to 1990, and in this brief period his boundless energy led him to produce an enormous quantity of legendary works. Here Harings work is re-examined from the perspective of his relations not just with Pop Art and the Neo-Pop movement, but also with Flemish painting and the historic avant-garde movements, reflecting the evolution of his creative poetics and the legacy he left.
