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The classic New York Times bestseller, with a new introduction by E.J. Dionne Jr. When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a “biblical prophet” (Time). Lasch’s identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was groundbreaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life. The Culture of Narcissism offers an astute and urgent analysis of what we need to know in these troubled times.
This is the first biography of the best-selling author of The culture of narcissism and other modern American classics. His brand of historically and psychologically informed social criticism was uncommonly prescient and remains surprisingly relevant to our cultural dilemmas. So does his example, as Eric Miller shows in this vivid and engaging book. Lasch's uncompromising independence cast him as Socrates in an age of sophists, and the sweeping range, critical intensity, high seriousness, and rigorous honesty of his writings won him warm admirers, many fierce critics, and a circle of brilliant and devoted students. Miller's biography offers lasch's life as a ringing case for the dignity of the intellectual's calling.
"[A] passionate, compelling, and disturbing argument that the ills of democracy in the United States today arise from the default of its elites." —John Gray, New York Times Book Review (front-page review) In a front-page review in the Washington Post Book World, John Judis wrote: "Political analysts have been poring over exit polls and precinct-level votes to gauge the meaning of last November's election, but they would probably better employ their time reading the late Christopher Lasch's book." And in the National Review, Robert Bork says The Revolt of the Elites "ranges provocatively [and] insightfully." Controversy has raged around Lasch's targeted attack on the elites, their loss of m...
"A major and challenging work. . . . Provocative, and certain to be controversial. . . . Will add important new dimension to the continuing debate on the decline of liberalism." —William Julius Wilson, New York Times Book Review Can we continue to believe in progress? In this sobering analysis of the Western human condition, Christopher Lasch seeks the answer in a history of the struggle between two ideas: one is the idea of progress - an idea driven by the conviction that human desire is insatiable and requires ever larger production forces. Opposing this materialist view is the idea that condemns a boundless appetite for more and better goods and distrusts "improvements" that only feed desire. Tracing the opposition to the idea of progress from Rousseau through Montesquieu to Carlyle, Max Weber and G.D.H. Cole, Lasch finds much that is desirable in a turn toward moral conservatism, toward a lower-middle-class culture that features egalitarianism, workmanship and loyalty, and recognizes the danger of resentment of the material goods of others.
We all know that today's architectural design has moved from the sketchpad to the screen - the era of the Mayline and the drafting board now seems downright Paleolithic - but techniques for using the computer not just as a tool for rendering but as a generative instrument remain woefully unexplored. The technologically progressive young firm Aranda/Lasch illustrates how advanced computational methods and algorithmic codes can be used to foster architectural design. "Tooling" explores patterns generated by computer codes that in turn create an organizational template assembling projects. By openly sharing these codes, the authors seek to foster further investigation into their methods, allowing other architects to model and evolve more critical and insightful geometries and patterns.
The world of nations is the world men have made, in contrast to the world of nature. Seeking to understand the civil society Americans have made, Christopher Lasch, author of The Agony of the American Left, reexamines the liberal and radical traditions in the United States and the limitations of both, along the way challenging a number of accepted interpretations of American history.
Analyzes scandals in high-profile institutions, from Wall Street and the Catholic Church to corporate America and Major League Baseball, while evaluating how an elite American meritocracy rose throughout the past half-century before succumbing to unprecedented levels of corruption and failure. 75,000 first printing.
"One of the most important political books of 2018."—Rod Dreher, American Conservative Of the three dominant ideologies of the twentieth century—fascism, communism, and liberalism—only the last remains. This has created a peculiar situation in which liberalism’s proponents tend to forget that it is an ideology and not the natural end-state of human political evolution. As Patrick Deneen argues in this provocative book, liberalism is built on a foundation of contradictions: it trumpets equal rights while fostering incomparable material inequality; its legitimacy rests on consent, yet it discourages civic commitments in favor of privatism; and in its pursuit of individual autonomy, it has given rise to the most far-reaching, comprehensive state system in human history. Here, Deneen offers an astringent warning that the centripetal forces now at work on our political culture are not superficial flaws but inherent features of a system whose success is generating its own failure.
"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --
A major American intellectual and “one of the right’s most gifted and astute journalists” (The New York Times Book Review) makes the historical case that the reforms of the 1960s, reforms intended to make the nation more just and humane, left many Americans feeling alienated, despised, misled—and ready to put an adventurer in the White House. Christopher Caldwell has spent years studying the liberal uprising of the 1960s and its unforeseen consequences and his conclusion is this: even the reforms that Americans love best have come with costs that are staggeringly high—in wealth, freedom, and social stability—and that have been spread unevenly among classes and generations. Caldwe...