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This book is describing certain religious poems and transcribed into the Spanish Language. This is not a true translation but gives the reader an understanding of the subject spoken. The theme of the poems is an interpretation of religious life, as it was lived by Jesus Christ. Jesus philosophy was to teach humanity in good living standards. Evil is the negative living standard which cannot be shaken away from them. By believing Christ teaching makes it possible to enter the heavenly abode.
Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet...
The first comprehensive study in English of one of the most important bodies of verse in European literature.
Distinguishing figural or typological allegory—a method adapted from the Christian exegesis of the Old Testament—from the broader Hellenistic concept of allegory, this book examines its use in representative poems of early Hispanic literature. The author focuses on the thematic and structural employment of this originally nonliterary device and comments on the literary problems it posed and the artistic effects which were achieved by it. The development of this particular allegorical method in medieval Hispanic literature—works in Spanish, Portuguese, Galician, and Catalan—he shows, was fully equal to that found in the medieval Latin, Italian, and English literatures, and an understanding of its use serves to clarify the interpretation of many individual poems.
This book is a new translation, in contemporary English, of Miguel de Unamuno's 1920 masterpiece book-length poem about another masterpiece of Western Civilization, Diego Velázquez's "The Christ of San Plácido," which is commonly known as "The Christ of Velázquez." The translation by William Thomas Little is accompanied by a full scholarly introduction and poem-by-poem commentary. Unamuno, Spain's foremost public intellectual of the early twentieth century, considered this book his masterpiece. This is a book of poetry and religious devotion as well as an ekphrasis, that is, a detail-by-detail meditation on one of the world's greatest paintings. Composed of eighty-nine poems that are fully integrated one with the other, the result is a masterpiece of spiritual meditation via poetical expression.
This book sets Prudentius' martyr poetry within the religious, social, and visual contexts of late antique Spain. This original approach utilises the fields of history, archaeology, classical literature and art history, and the book is important for academics and more advanced students within these disciplines.
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