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The America of 2021 bears little resemblance to that of merely a decade ago, and journalist Christian Schneider has been there to document it all - from the rise and fall of the Tea Party to a deadly pandemic killing nearly three-quarters of a million Americans to a violent insurrection in the halls of the U.S. Capitol. Schneider, a member of the USA Today Board of Contributors, has spent over a decade writing about the cultural phenomena that brought America to where it is today. While society once built on the knowledge of prior generations, Americans are now in what he calls the "Golden Era of Anti-Knowledge" - where all facts are negotiable and public figures are incentivized to hold tightly to preposterous positions, rather than backtrack to ones more plausible. "Anti-Knowledge: Essays From the Era of Negotiable Truth" is a greatest hits of Schneider's work from the past decade (or so.) Schneider's work, featured in USA Today, The New York Times, the Wall Street Journal, National Review and other publications, blends wit and traditional conservatism to provide a unique perspective on the American culture over the past ten years.
Reveals the extent of Germany's emotional responses in the postwar period, challenging persistent paradigms
This book examines how Johannes Buxtorf's works helped to transform seventeenth-century Hebrew studies from the hobby of a few experts into a recognized academic discipline. The first two chapters examine Buxtorf's career as a professor of Hebrew and as an editor and censor of Jewish books in Basel. Successive chapters analyze his anti-Jewish polemical books, grammars and lexicons, and manuals for Hebrew composition and literature, including the first bibliography devoted to Jewish books. The final chapters treat his work in biblical studies, examining his contribution to Targum and Massorah studies, and his position on the age and doctrinal authority of the Hebrew vowel points. The chapters on anti-Jewish polemics and the vowel points will interest Jewish historians and Church historians.
In 1727, the Pennsylvania Provincial Council passed a law requiring all "foreign" immigrants (i.e. those of non-British origin) to swear an oath of allegiance to the Crown. Lists of these immigrants were originally assembled for publication in the Pennsylvania Archives (Ser. 2, Vol. XVII), and they are reprinted here without change. This work, then, is an exhaustive list of "foreigners"-mostly Germans-who immigrated into the Province and, later, the State of Pennsylvania between the years 1727 and 1775 and again during the years 1786-1808. More to the point, it is a collection of ships' passenger lists, in many cases the lists being transcribed in entirety, with Captains' lists of passengers running up to the relatively late year of 1808. Along with the full name of the immigrant, including the names of all males over the age of sixteen, since that was the age they were obliged to take the oath, such information is given as name of ship, date of arrival, port of origin, and, in some instances, ages, names of wives, and names of children. An exhaustive index of surnames, running to more than 100 pages, contains about 35,000 references.
It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
Includes Mayors' messages.
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘Underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Su...