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Featuring work by researchers in the fields of early modern studies, Italian studies, ecclesiastical history and historiography, this volume of essays adds to a rich corpus of literature on Renaissance and early modern historiography, bringing a unique approach to several of the problems currently facing the field. Essays fall into three categories: the tensions and challenges of writing history in Renaissance Italy; the importance of intellectual, philosophical and political contexts for the reading and writing of history in renaissance and early modern Europe; and the implications of genre for the reading and writing of history. By collecting essays that cut across a broad cross-section of the disciplines of history and historiography, the book is able to offer solutions, encourage discussion, and engage in ongoing debates that bear direct relevance for our understanding of the origins of modern historical practices. This approach also allows the contributors to engage with critical questions concerning the continued relevance of history for political and social life in the past and in the present.
Winner of the Helen and Howard Marraro Prize A Times Literary Supplement Book of the Year “Perhaps the greatest study ever written of Renaissance political thought.” —Jeffrey Collins, Times Literary Supplement “Magisterial...Hankins shows that the humanists’ obsession with character explains their surprising indifference to particular forms of government. If rulers lacked authentic virtue, they believed, it did not matter what institutions framed their power.” —Wall Street Journal “Puts the politics back into humanism in an extraordinarily deep and far-reaching way...For generations to come, all who write about the political thought of Italian humanism will have to refer to i...
What is the point of history? Why has the study of the past been so important for so long? Why History? A History contemplates two and a half thousand years of historianship to establish how very different thinkers in diverse contexts have conceived their activities, and to illustrate the purposes that their historical investigations have served. Whether considering Herodotus, medieval religious exegesis, or twentieth-century cultural history, at the core of this work is the way that the present has been conceived to relate to the past. Alongside many changes in technique and philosophy, Donald Bloxham's book reveals striking long-term continuities in justifications for the discipline.
The period between the late Renaissance and the early Enlightenment has long been regarded as the zenith of the "republic of letters", a pan-European community of like-minded scholars and intellectuals who fostered critical approaches to the study of the Bible and other ancient texts, while renouncing the brutal religio-political disputes that were tearing their continent apart at the same time. Criticism and Confession offers an unprecedentedly comprehensive challenge to this account. Throughout this period, all forms of biblical scholarship were intended to contribute to theological debates, rather than defusing or transcending them, and meaningful collaboration between scholars of differe...
The influence of religion on culture is as strong as ever, but the shape of that influence is unique in today's pluralistic society. In Christianity in the Modern World, Ambrose Mong examines critically themes of religious commitment and tolerance, attitudes towards other religions, and the sociological aspects of religion and inter-religious dialogue. He provides an overview of factors that challenge traditional religion, from the relationship between monotheistic and polytheistic beliefs to the history of tolerance and intolerance in the church and the future of secularism. Following the global ethics formulated by the late Hans Kung, Mong also engages with the dialogue between Jurgen Habermas and Joseph Ratzinger to provide an extensive defence of the importance of inter-religious dialogue, with particular relevance to multiple religious belonging in the Asian context. Scholars of world religions will find Mong's analysis compelling, while students will find his introduction to the historical dialectics underlying many of today's tensions illuminating.
This volume examines the topic and treatment of conspiracy in fifteenth-century Italian literature. It situates the theme of conspiracy within the literary and historical contexts of the period, examines its representation within four key texts, and reflects on the legacy of these literary-historical works over the following century.
Between the cliché that 'a week is a long time in politics' and the aspiration of many political philosophers to give their ideas universal, timeless validity lies a gulf which the history of political thought is uniquely qualified to bridge. For that history shows that no conception of politics has dispensed altogether with time, and many have explicitly sought legitimacy in association with forms of history. Ranging from Justinian's law codes to rival Protestant and Catholic visions of political community after the Fall, from Hobbes and Spinoza to the Scottish Enlightenment, and from Kant and Savigny to the legacy of German Historicism and the Algerian Revolution, this volume explores multiple ways in which different conceptions of time and history have been used to understand politics since late antiquity. Bringing together leading contemporary historians of political thought, Time, History, and Political Thought demonstrates just how much both time and history have enriched the political imagination.
While humanists agreed on identifying the main requirement of the historical genre with truthfulness, they disagreed on their notions of historical truth. Some authors equated historical truth with verisimilitude, thus harmonizing the quest for truth with other ingredients of their histories, such as their political utility and rhetorical aptness. Others, instead, rejected the notion of verisimilitude, identifying historical truth with factuality. Accordingly, they sought to produce bare and exhaustive accounts of all the things that pertained to their historical explorations, often resorting to innovative disciplines, such as archeology, philology, and the history of institutions. The human...
C. S. Lewis’s masterpiece The Four Loves, published in 1960, provided the world with a Christian exploration of four dimensions of human love: extolling the divine blessings and warning of the idolatrous distortions in familial belonging (storge), friendship as a common quest (philia), romantic desire for personal union (eros), and concluding with the perfection of divine, unconditional love (agape). Whiting uses the four loves as a framework to interpret the Christian love of God in historical movements across Catholic, Orthodox, Protestant, and Pentecostal/Charismatic churches. He illuminates the often reactionary and competing tensions swinging between emphases on loving God in liturgical ritual and worship (storge), the active moral life (philia), personal spiritual experience (eros), and approaches of faith to suffering (agape). Synthesizing a panoramic view of Christian history with philosophy, literature, and biblical reflection, Whiting shows how the love of God is diminished when the loves become fractured. He advocates for an integrated, holistic love of God that both avoids excesses and challenges the modern narrative of secular progress.
A Boccaccian Renaissance brings together essays written by internationally recognized scholars in diverse national traditions to respond to the largely unaddressed question of Boccaccio’s impact on early modern literature and culture in Italy and Europe. Martin Eisner and David Lummus co-edit the first comprehensive examination in English of Boccaccio’s impact on the Renaissance. The essays investigate what it means to follow a Boccaccian model, in tandem with or in place of ancient authors such as Vergil or Cicero, or modern poets such as Dante or Petrarch. The book probes how deeply the Latin and vernacular works of Boccaccio spoke to the Renaissance humanists of the fifteenth century....