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Operating with bare hands, dressed in his street clothes, he had taken those first steps that every training surgeon must take-gripping the handle of a scalpel and making the first, irrevocable cut into live human flesh. For the surgeon training in the early 1840s, these first surgical milestones were performed on a person who would recoil in terror and horror, flinch, pull away, shake-and scream and scream and scream. Until 1846, surgery was performed without anaesthesia: extraordinary operations, carried out on conscious, terrified patients. Surgeons of that era were bold and courageous and saved many lives, but anaesthesia changed everything. With an unconscious patient, the surgeon could...
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Nicolas Roeg's Don't Look Now (1973) has been called "a ghost story for adults." This book argues for it as a particular kind of horror film that depends on the narrative of trauma. Jessica Gildersleeve positions Don't Look Now within a discourse of midcentury anxiety narratives and identifies it as a hinge between literature and film of the 1970s.
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Historians, veterans, museums, and public education campaigns have all documented and commemorated the experience of Canadians in times of war. But Canada also has a long, rich, and important historical tradition of resistance to both war and militarization. This collection brings together the work of sixteen scholars on the history of war resistance. Together they explore resistance to specific wars (including the South African War, the First and Second World Wars, and Vietnam), the ideology and nature of resistance (national, ethical, political, spiritual), and organized activism against militarization (such as cadet training, the Cold War, and nuclear arms). As the federal government continues to support the commemoration and celebration of Canada’s participation in past wars, this collection offers a timely response that explores the complexity of Canada’s position in times of war and the role of social movements in challenging the militarization of Canadian society.
From 2015 WNBA MVP, 2016 Olympic gold medalist, and global ambassador to the Special Olympics Elena Delle Donne comes the first novel in a brand-new middle grade series with as much heart as there is game. Elle Deluca is a seventh grader who is tall—not just sort of tall. She’s six feet tall. And for a twelve-year-old girl, this means that her basketball team has high hopes for her changing positions and becoming their starting center. But a new position is not the only footwork she has to learn. Her class’s dance unit in gym is coming up, and that means she has to learn ballroom dance steps with a boy much shorter than her—and perform publically for a grade. In the first book in WNBA MVP and Olympic gold medalist Elena Delle Donne’s Hoops series, Elle must figure out a way to remain herself when others want her to be someone else.
Christine Alexander needs to prove herself as a top-notch winemaker, and in Harmony Valley she's got a chance to build something legitimate, quality and lasting. What she doesn't need is part-owner Slade Jennings poking his nose in her cabernet.