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Re Imagining Science
The visual arts and sciences have a shared history of creativity and parallel paths of experimentation, goal seeking, and trial and error. Both disciplines employ innovative techniques and novel materials that help their practitioners develop new ideas, discoveries, and visual products. [RE]Imagining Science, a catalogue featuring art and science projects primarily based at Indiana University, highlights distinctive types of collaborations that occur within this genre of contemporary practice.
Max Eastman
The definitive biography of a radical activist and intellectual Max Eastman (1883–1969) was a prolific writer, radical, and public intellectual who helped shape the twentieth century. While researching this masterful work, acclaimed biographer Christoph Irmscher was granted unprecedented access to the Eastman family archive, allowing him to document little-known aspects of the famously handsome and charismatic radical. Considered one of the “hottest radicals” of his time, Eastman edited two of the most important modernist magazines, The Masses and The Liberator, and campaigned for women’s suffrage and world peace. A fierce critic of Joseph Stalin, Eastman befriended and translated Leon Trotsky and remained unafraid to express unpopular views, drawing criticism from both conservatives and the Left. Set against the backdrop of several decades of political and ideological turmoil, and interweaving Eastman’s singular life with stories of the fascinating people he knew and loved, this book will have broad interdisciplinary appeal in twentieth-century history and politics, intellectual history, and literary studies.
Introduction to the Study of Natural History
This book features Louis Agassiz’s seminal lecture course in which the Swiss-American scientist, a self-styled “American Humboldt,” summarized the state of zoological knowledge in his time. Though Darwin’s theory of evolution would soon dismantle his idealist science, Agassiz’s lectures are nonetheless modern in their insistence on the social and cultural importance of the scientific enterprise. An extensive, well-illustrated introduction by Agassiz’s biographer, Christoph Irmscher, situates Agassiz’s lectures in the context of his life and nineteenth-century science, while also confronting the deeply problematic aspects of his legacy. Profusely annotated, this edition offers f...
Louis Agassiz
A provocative new life restoring Agassiz--America's most famous natural scientist of the 19th century, inventor of the Ice Age, stubborn anti-Darwinist--to his glorious, troubling place in science and culture.
Longfellow Redux
"Longfellow turns 200 in 2007, and the time has come to take another look at the most popular poet America has ever produced. Christoph Irmscher's new book dispenses with the modern prejudice against Longfellow as the mere purveyor of literary comfort food. By examining Longfellow's unpublished papers alongside letters written by his fans at home and abroad, Irmscher offers a view of the poet's intense connection with his audience. In chapters about Longfellow's idea of authorship, his travels, and his translations, Irmscher shows that the cosmopolitan Longfellow saw literature as a transnational conversation that also crosses social and linguistic boundaries." "Longfellow Redux is the first book-length study in several decades to cover Longfellow's entire body of work and its many contexts (personal, social, literary, and historical). It contains numerous illustrations, including previously unpublished pencil sketches by Longfellow himself."--BOOK JACKET.
Louis Agassiz
“This book is not just about a man of science but also about a scientific culture in the making—warts and all.” —The New York Times Book Review Charismatic and controversial Swiss immigrant Louis Agassiz took America by storm in the early nineteenth century, becoming a defining force in American science. Yet today, many don’t know the complex story behind this revolutionary figure. At a young age, Agassiz—zoologist, glaciologist, and paleontologist—was invited to deliver a series of lectures in Boston, and he never left. An obsessive pioneer in field research, Agassiz enlisted the American public in a vast campaign to send him natural specimens, dead or alive, for his ingenious...
Love and Loss in Hollywood
In 1919, Florence Deshon—tall, radical, and charismatic—was well on her way to becoming one of Hollywood's brightest stars. Embroiled in a clandestine affair with Charlie Chaplin, she continued to remain romantically involved with the well-known writer and socialist Max Eastman. By 1922, she was found dead in a New York apartment, rumored to have committed suicide. Love and Loss in Hollywood: Florence Deshon, Max Eastman, and Charlie Chaplin uses previously unpublished letters between Deshon and Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood. Deshon's tragic life and her abuse at the hands of powerful men—including Chaplin, Eastman, and ...
Audubon at Sea
"John James Audubon's paintings of birds are as familiar as they are beautiful. But even among his admirers, many may be surprised to learn that Audubon was a gifted writer. In this one-of-a-kind anthology, Christoph Irmscher and Richard J. King have curated a collection of Audubon's coastal and sea writing, which represent Audubon's most compelling and evocative depictions of the natural world and early nineteenth-century American life. The collection is geographically diverse, bringing to light the variety of people and wildlife Audubon met or observed, pulling from the massive Ornithological Biography (1831-1839) as well as the "Autobiography" and journals. The editors supplement the sele...
The Poetics of Natural History
Winner of the 2000 American Studies Network Prize and the Literature and Language Award from the Association of American Publishers, Inc. Early American naturalists assembled dazzling collections of native flora and fauna, from John Bartram’s botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale’s museum to P. T. Barnum’s American Museum, infamously characterized by Henry James as “halls of humbug.” Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America’s rich biodiversity. They also turned to writing and art, from John Edward Holbrook’s forays into the fascinating wor...
Poems Written Abroad
Poems Written Abroad is the first publication of the earliest collection of poetry by the famous poet, novelist, literary critic, translator, and radical, Sir Stephen Spender (1909-1995). Spender wrote and compiled this manuscript in 1927, when he was living in Nantes and Lausanne. In tone and diction, Spender’s poems range from creatively traditional to unexpectedly innovative. They reflect his reading in Shakespeare and French poetry, as well as his absorption in music and modern art. They also document his struggles with his sexual identity and his emerging desire to devote his life, at whatever cost, to the writing of poetry. This beautiful facsimile edition, authorized by the Spender estate, faithfully reproduces the features of the original manuscript now held by the Lilly Library, including the frontispiece, an ink drawing by Spender himself, and little-known photographs of the poet. The editor’s extensive introduction and detailed explanatory notes situate Spender’s juvenilia in the context of his life and work and the history of modern poetry. The volume will appeal to readers with interests in modern poetry, gender studies, and fine books.
