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Julien-David Leroy and the Making of Architectural History
This book examines the career and publications of the French architect Julien-David Leroy (1724–1803) and his impact on architectural theory and pedagogy. Despite not leaving any built work, Leroy is a major international figure of eighteenth-century architectural theory and culture. Considering the place that Leroy occupied in various intellectual circles of the Enlightenment and Revolutionary period, this book examines the sources for his ideas about architectural history and theory and defines his impact on subsequent architectural thought. This book will be of key interest to graduate students and scholars of Enlightenment-era architectural history.
Rethinking the Mediterranean
In this collection of essays, an international group of renowned scholars attempt to establish the theoretical basis for studying the ancient and medieval history of the Mediterranean Sea and the lands around it. In so doing they range far afield to other Mediterraneans, real and imaginary, as distant as Brazil and Japan. Their work is an essential tool for understanding the Mediterranean, pre-modern and modern alike. It speaks to ancient and medieval historians, to archaeologists, anthropologists and all historians with environmental interests, and not least to classicists.
A Companion to Greek Architecture
A Companion to Greek Architecture provides an expansive overview of the topic, including design, engineering, and construction as well as theory, reception, and lasting impact. Covers both sacred and secular structures and complexes, with particular attention to architectural decoration, such as sculpture, interior design, floor mosaics, and wall painting Makes use of new research from computer-driven technologies, the study of inscriptions and archaeological evidence, and recently excavated buildings Brings together original scholarship from an esteemed group of archaeologists and art historians Presents the most up-to-date English language coverage of Greek architecture in several decades while also sketching out important areas and structures in need of further research
The Making of the Modern Mediterranean
Studies of the pivotal historic place of the Mediterranean have long been dominated by specialists of its northern shores, that is, by European historians. The seven leading authors in this groundbreaking volume challenge views of Mediterranean space as shaped by European trajectories, and in doing so, they challenge our comfortable notions. Drawing perspectives from the Mediterranean’s eastern and southern shores, they ask anew: What is the Mediterranean? What are its borders, its defining characteristics? What forces of nature, politics, culture, or economics have made the Mediterranean, and how long have they or will they endure? Covering the sixteenth century to the twentieth, this timely volume brings the early modern world into conversation with the modern world in new ways, demonstrating that only recently can we differentiate the north and south into separate cultural and political zones. The Making of the Modern Mediterranean: Views from the South offers a blueprint for a new generation of readers to rethink the world we thought we knew.
Travel, Space, Architecture
Travel, Space, Architecture defines a new theoretical territory in architectural and urban scholarship that frames the processes of spatial production through the notion of travel. By aligning architectural thinking with current critical theory debates, this book explores whether dissociating culture from place and identity, and detaching the idea of architecture from both, can reframe our understanding of spatial and architectural practices. The book presents seventeen key case studies from a diverse range of perspectives including historical, theoretical, and praxis-based, and range from interrogations of architectural travel and notions of belonging and nationhood to challenging established geopolitical hierarchies.
Style and Solitude
How modern notions of architectural style were born—and the debates they sparked in nineteenth-century Germany. The term style has fallen spectacularly out of fashion in architectural circles. Once a conceptual key to understanding architecture’s inner workings, today style seems to be associated with superficiality, formalism, and obsolete periodization. But how did style—once defined by German sociologist Georg Simmel as a place where one is “no longer alone”—in architecture actually work? How was it used and what did it mean? In Style and Solitude, Mari Hvattum seeks to understand the apparent death of style, returning to its birthplace in the late eighteenth century, and char...
Paris Mansions and Apartments 1893
Selected from a very rare portfolio, this volume presents exquisitely detailed engravings of Parisian apartment buildings and mansions of the late nineteenth century. Its 100 plates depict 50 buildings in the richly ornamented Beaux-Arts Classical style. These illustrations are the work of Pierre Gelis-Didot, who is celebrated for his architectural drawings. They depict buildings by such distinguished architects as Jean-Louis Pascal, Albert Walwein, Lucien Magne, Charles Girault, and others. Full-page illustrations of each facade are accompanied by facing pages with finely rendered architectural details, including floor plans, cross sections, and close-ups of doors, windows, and balconies. Other details include soaring arches, elaborate cornices, decorative trims, and colossal columns. From the boulevards of Saint-Germain, Haussmann, and Montparnasse to the Bois de Boulogne, this volume offers a celebration of residential architecture in the City of Light.
Dreaming with Open Eyes
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
The City and the Process of Transition from Early Modern Times to the Present
In 2017, during a conference held at the Historical Institute of the University of Wrocław, Poland, an international group of early career researchers and PhD students had the opportunity to discuss the process of transition in cities from early modern times to the present day. This book, arising from the discussions of that meeting, focuses on the social, economic, political and structural transformations of some cities in Europe, the Near East and Asia from the seventeenth century up to the contemporary era. The first part of the text, entitled “Facing the Other: Perception, Relations, (Co)existence” explores the attitudes of the locals towards newcomers to a city, as well as the coex...
The Classical Tradition
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
