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The purpose of this essay collection is to recover color's complex and sometimes morally troubling past. By emphasising color's materiality, and how it was produced, exchanged and used, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts.
A sweeping environmental history of a quintessential American wilderness.
A vivid reconstruction of a once-vibrant African American community in northern New England.
The first interdisciplinary contribution to studies about Asian Americans in New England
A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson
The riveting reconstruction of an eighteenth-century slave's life and imprisonment
Indian summer, the succession of warm, fair days gracing New England in autumn, is at once a flourishing period signaling the end of fall, a meteorological event, a vernacular cultural construction, and a literary metaphor. In this appealing and elegant book, Sweeting plumbs Indian summer's use in literature as a symbol of second chance, rebirth, or reprieve before the onset of a harsher season. Well researched and charmingly written, Beneath the Second Sun is the first book to systematically treat the history and uses of Indian summer imagery in American life. The author focuses on the ways in which New Englanders have embraced the season, and he places the celebration of the season's beaut...
This book examines the advertising posters, town plans and geographical views that encouraged middle-class emigration to New Zealand in the 1840s. It explores how the New Zealand Company exploited visual literacy to advertise its settlement in Te Whanganui ā Tara Wellington. A tale of two towns, prospective English settlers looked to Wellington to make their homes, while Te Whanganui ā Tara was already home to numerous Māori sub-tribes. The book explores the worlds of each to ask how the images produced by the New Zealand Company were complicit in transferring Māori land into English ownership. Not seeking blame, it works instead to understand, and investigates processes of redress, offering hope for a post post-colonial future in Aotearoa New Zealand. This book will interest scholars and students of migration, visual culture and print history.
An early 20th century case study of evolving grassroots notions of preservation and the role of women in the American conservation movement
A startlingly original synthesis of keen observation and interpretive skill that will transform one s understanding of New England s man-made landscape"