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Archaeology and the Cities of Asia Minor in Late Antiquity
The city was the fundamental social institution of Greek and Roman culture. More than the sack of Rome, the abandonment of provincial towns throughout the Mediterranean world in late antiquity (fourth-seventh centuries A.D.) marks the beginning of the Middle Ages. This volume examines archaeological evidence for this last phase of urban life in Asia Minor, one of the Roman empire's most prosperous regions. Based on the proceedings of a symposium co-sponsored by the University of Michigan and the German Archaeological Institute, it brings together studies by an international group of scholars on topics ranging from the public sculpture of Constantinople to the depopulation of the Anatolian countryside in early Byzantine times.
The Countryside of Aphrodisias
Aphrodisias is one of the most important archaeological sites of the Greek and Roman periods in Turkey. Excavations at Aphrodisias have been carried out by New York University since 1961 and have revealed an unusually well-preserved and picturesque ancient town. A survey of the surrounding territory undertaken between 2005 and 2009 resulted in the discovery of hundreds of new sites spanning three millennia of human occupation in the region. This book presents the rich archaeological remains of the countryside of Aphrodisias, ranging from isolated farmsteads to fortified citadels, from burial mounds to marble quarries, and from Roman aqueducts to Ottoman cisterns.
Aphrodisias Papers
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Rocks, Paper, Memory
This catalogue documents an exhibition at the Kelsey Museum of Archaeology of watercolor paintings by American artist Wendy Artin and selected objects from the Museum's permanent collections. Wendy Artin has been working for over a decade on a series of watercolors of ancient Greek and Roman sculptures and related subjects. She is thus a fresh presence in a long line of artists who draw inspiration from antiquity. Indeed, this tradition has very ancient precedents. The exhibition and catalogue place a selection of 47 of Artin's paintings--including landscapes and figure paintings as well as images of ancient sculptures--in dialogue with 14 objects drawn from the Kelsey's collections, among them works of Greek art inspired by Egyptian precedents, examples of Roman imperial portraits that were copied in numerous media for circulation around the empire, and reproductions of the same figure types featured in some of Artin's paintings (such as Aphrodite Rising from the Sea). Wendy Artin's masterful watercolors offer new and arresting ways of looking at ancient sculptures and buildings--and of remembering the classical past.
Lydian Architecture
This richly illustrated volume examines monuments of Sardis and environs in the context of contemporary developments in Lydia and throughout the ancient Mediterranean and Near East. It illuminates traditions of Anatolian kingship, technological exchange between Lydia and Greece and the Near East, and the origins of Persian imperial architecture.
Zōon Politikon
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Roman Identity from the Arab Conquests to the Triumph of Orthodoxy
This book asks how the inhabitants and neighbours of the Eastern Roman Empire understand their identity as Romans in the centuries following the emergence of Islam as a world-religion. Its answers lie in exploring the nature of change and continuity of social structures, self-representation, and boundaries as markers of belonging to the Roman group in the period from circa AD 650 to 850. Early medieval Romanness was integral to the Roman imperial project; its local utility as an identifier was shaped by a given community’s relationship with Constantinople, the capital of the Roman state. This volume argues that there was fundamental continuity of Roman identity from Late Antiquity through these centuries into later periods. Many transformations which are ascribed to the Romans of this era have been subjectively assigned by outsiders, separated by time or space, and are not born out by the sources. This finding dovetails with other recent historical works re-evaluating the early medieval Eastern Roman polity and its ideology.
Dining at the End of Antiquity
The history of dining is a story that cannot be told without archaeology. Surviving texts describe the opulent banquets of Rome’s wealthy elite but give little attention to the simpler, more intimate social gatherings of domestic invitation dinners. The lower classes, in particular, are largely ignored by literary sources. We can, however, find the voices of the underprivileged by turning to the material detritus of ancient cultures that reflects their social history. Dining at the End of Antiquity brings together the material culture and literary traditions of Romans at the table to reimagine dining culture as an integral part of Roman social order. Through a careful analysis of the tools and equipment of dining, Nicholas Hudson uncovers significant changes to the way different classes came together to share food and wine between the fourth and sixth centuries. Reconstructing the practices of Roman dining culture, Hudson explores the depths of new social distances between the powerful and the dependent at the end of antiquity.
