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Chus Martinez
Chus Martnez, the new director of the Institute of Art, Basel, states: Ive been
Andrea Büttner
In her artistic practice, Andrea Büttner combines art history with social and ethical issues. Since the early 2000s, she has been exploring a wide range of themes such as work, poverty, shame and care in monastic forms of coexistence, but also on arts and crafts as a political field. Examining the ambivalent tension between aesthetics and ethics, the internationally renowned artist uses various conceptual methods. Best known for her large-scale woodcuts, Büttner has since used a variety of media, including etching, painting, photography and video installations, glass art and textiles. For her publications and exhibitions, Büttner composes her works thematically to create site-specific ins...
Heather Phillipson
The first monograph to date on the work of Heather Phillipson, one of the UK's most exciting contemporary artists. Contemporary British artist Heather Phillipson works across video, sculpture, online projects, music, drawing, and poetry. She will be the next artist to exhibit work at the Fourth Plinth in Trafalgar Square and has been selected as Tate Britain’s 2021 Duveen Galleries commission. Other recent commissions include Sharjah Biennial 14 and the Martin Gropius Bau, Berlin, and her solo projects range from Art on the Underground's flagship site at Gloucester Road, an online work for the Museum of Contemporary Art Chicago, and a major solo show at BALTIC Centre for Contemporary Art. This first monograph on the artist traces the evolution of her practice. Alongside the artist's own writings, the book will feature three newly-commissioned essays by writer and curator Laura McLean-Ferris, the experimental London-based writer Charlie Fox, and Professor Chus Martinez. The book explores the wide variety of media used by the artist to investigate the power structures and contradictions of contemporary life.
Superhumanity
A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, p...
Rebecca Horn
Referencing mythical, historical, literary and spiritual imagery, Horn invokes these bodily concerns with such objects as violins, ladders, pianos, feather fans, metronomes and drawing machines. She is best known for such works as "Pencil Mask" (1972), which looks like an instrument of torture, but which actually transforms the wearer's head into an instrument for drawing.
Qiu Zhijie
This small book presents the large-scale maps made by Chinese artist Qiu Zhijie and departs from Blueprints, an exhibition at Witte de With Center for Contemporary Art in Rotterdam. To produce his maps and diagrams, the artist drew from major political and historical narratives, charting new paths, centres, nodes, and relationships, and scrutinizing the mutable boundaries that outline histories of world thought. The publication offers a reading on four works, and features essays from contemporary thinkers like Charles Esche, Chus Martínez, Eugene Y. Wang, and Bik Van der Pol. Inserted in the book is a foldout reproduction of Qiu Zhijie's intricate Map of the Third World.
Animals
Animals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions. Contemporary art has become a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behaviour and consciousness. Artists' engagement with animals opens up new perspectives on the dynamics of dominance, oppression and exclusion, with parallels in human society; and animal nature is at the heart of debates on the 'anthropocene' era and the ecological concerns of scientists, thinkers and artists alike. Centred on contemporary artworks, this anthology attests to the trans-disciplinary nature of this subject, with art as one of its principal points of convergence.
Clémentine Deliss
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential f...
Do We Dream Under the Same Sky
Published in conjunction with the eponymous installation at Art Basel 2015, DO WE DREAM UNDER THE SAME SKY is an extension of the collaboration between artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi. Designed by Hirsch and Müller as an outdoor shelter, the installation, made of modular bamboo and steel, welcomes visitors to engage in discussions while participating in the convivial atmosphere of shared food. This supplemental publication includes interviews, texts, images, and poems that illuminate the installation's properties of self-sufficiency and how it was conceived as a new component of Tiravanija and Kamin Lertchaiprasert's ongoin...
