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Legacy
Generational dialogues between 40 world-renowned creatives exploring how the creative legacy of previous generations is being reinterpreted over time. Description What is this phenomenon we call ‘legacy’? This intangible inheritance that we eventually leave for our posterity? Is it the creative and intellectual heritage that one generation passes on to the next? Conceived by Lukas Feireiss, the book at hand tries to probe this open question by engaging in critical dialogue different generations of creatives, connectors and thinkers alike. In some cases, between inherent legacy of parent and child, in many cases between mentor and students, or simply between friends. The more than 40 illu...
What about Activism?
Curators and thinkers about contemporary art consider how to engage audiences in creative forms of protest and advocacy. With the global rise of a politics of shock, driven by nationalist and authoritarian regimes, what paths to resistance and sites of sanctuary can cultural institutions offer? In this book, more than twenty of the world's leading curators and thinkers about contemporary art offer powerful case studies from their own work, along with historical and theoretical perspectives, that point the way for cultural producers everywhere to engage audiences in creative forms of protest and advocacy capable of confronting the fierce political challenges of today and tomorrow. Contributors Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clémentine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Pi Li, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulricht Obrist, Jack Persekian with Alison Ramer, María Belén Saéz de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr
Critical Practice
Cover -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of plates -- Acknowledgements -- 1 Critical practice as reconciliation -- 2 Changing hands: ethical stewardship of collections -- 3 'Temple swapping': hybridity and social justice -- 4 Platforms: negotiating and renegotiating the terms of democracy -- 5 Reconciliation and the discursive museum -- Bibliography -- Index
Decolonial Cultural Practices Towards Pluriversal Cultural Institutions and Policies
The book critically examines the epistemological disparities between colonialism and capitalism-critical cultural practices and Western art institutions. It does so through the lens of documenta 15, focusing on ruangrupa’s lumbung approach, which confronts Eurocentric cultural norms and stimulates a shift towards pluriversal horizons, demonstrating the transformative potential of alternative methodologies. This book provides a comprehensive understanding of how collective methods and practices can cultivate pluriversal horizons in cultural institutions and policies, informed by extensive field research at documenta 15. The key elements of the approach include interdisciplinary perspectives...
Reclaiming Artistic Research
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Mobility and Fantasy in Visual Culture
This volume offers a varied and informed series of approaches to questions of mobility—actual, social, virtual, and imaginary—as related to visual culture. Contributors address these questions in light of important contemporary issues such as migration; globalization; trans-nationality and trans-cultural difference; art, space and place; new media; fantasy and identity; and the movement across and the transgression of the proprieties of boundaries and borders. The book invites the reader to read across the collection, noting differences or making connections between media and forms and between audiences, critical traditions and practitioners, with a view to developing a more informed understanding of visual culture and its modalities of mobility and fantasy as encouraged by dominant, emergent, and radical forms of visual practice.
Bandung, Global History, and International Law
"In 1955 a conference was held in Bandung, Indonesia that was attended by representatives from twenty-nine developing nations. Against the backdrop of crumbling European colonies, Asian and African leaders forged a new alliance and established anti-imperial principles for a new world order. The conference captured the popular imagination across the Global South. Bandung's larger significance as counterpoint to the dominant world order was both an act of collective imagination and a practical political project for decolonization that inspired a range of social movements, diplomatic efforts, institutional experiments and heterodox visions of the history and future of the world. This book explores what the spirit of Bandung has meant to people across the world over the past decades and what it means today. Experts from a wide range of fields show how, despite the complicated legacy of the conference, international law was never the same after Bandung"--
Imperfectionist Aesthetics in Art and Everyday Life
This book presents interdisciplinary research on the aesthetics of perfection and imperfection. Broadening this growing field, it connects the aesthetics of imperfection with issues in areas including philosophy, music, literature, urban environment, architecture, art theory, and cultural studies. The contributors to this volume argue that imperfection has value in being open and inclusive. The aesthetics of imperfection is typified by organic, unpolished production and the avoidance of perfect finish, instead representing living and natural change, and opposing the consumerist concern with the flawless and pristine. The chapters are divided into seven thematic sections. After the first sect...
Everyone is an artist.
In 13 Kapiteln bieten die Ausstellung und der dazugehörige Katalog einen tiefgreifenden Einblick in das kosmopolitische Denken von Joseph Beuys, wie es sich in seinen Aktionen manifestiert, die in Form von Videoprojektionen und Fotografien präsentiert werden. Denn dort – als handelnde, sprechende und sich bewegende Figur – untersuchte Beuys die zentrale und radikale Idee seines erweiterten Kunstbegriffs: »Jeder Mensch ist ein Künstler«. Das Ziel seines universalistischen Ansatzes war es, die Gesellschaft von Grund auf zu erneuern. Bis heute ist sein Einfluss in künstlerischen und politischen Diskursen spürbar. In der Ausstellung treten zeitgenössische Künstler*innen neben Ve...
Across Anthropology
How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legac...
