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Relações públicas no modo de produção capitalista
Utilizando o materialismo histórico como referencial teórico, a autora procura situar as Relações Públicas dentro do contexto da moderna produção dos países capitalistas. O estudo mostra as dificuldades encontradas pelas RP para se colocarem a serviço da sociedade como um todo.
Comunicação nos movimentos populares
Movimentos sociais populares no Brasil - Participacao - Comunicacao popular - Rádio participativa no ambito dos movimientos sociais - Rádio participativa em contextos históricos específicos - Outras experiencias de comunicacao participativa - A comunicacao popular na construcao da cidadania.
The Evolution of Popular Communication in Latin America
This book brings together twelve contributions that trace the empirical-conceptual evolution of Popular Communication, associating it mainly with the context of inequalities in Latin America and with the creative and collective appropriation of communication and knowledge technologies as a strategy of resistance and hope for marginalized social groups. In this way, even while emphasizing the Latin American and even ancestral identity of this current of thought, this book positions it as an epistemology of the South capable of inspiring relevant reflections in an increasingly unequal and mediatized world. The volume’s contributors include both early-career and more established professionals and natives of seven countries in Latin America. Their contributions reflect on the epistemological roots of Popular Communication, and how those roots give rise to a research method, a pedagogy, and a practice, from decolonial perspectives.
Press and Censorship in Brazil
"Complete freedom, nobody enjoys it: we start oppressed by syntax and end up dealing with the Police of Social and Political Order, but, within the narrow limits that grammar and law coerce us, we can still move". This quote of Brazilian writer Graciliano Ramos (in Memoirs of prison, 1953), also illustrates the present moment of Brazilian journalism. Among so many forms of censorship present in our days: the political and ideological (induced by the government's pressure) and the economic (by the strength of the market), we still find the judicial, the one decided precisely by the constitutionally responsible power to watch over its integrity. Yes, the judge's pen is present with the same strength as the stamp of the former and extinct Brazilian Federal Censorship Department, in 1988, with the new Federal Constitution.
Encyclopedia of Social Movement Media
The entries are designed to be relatively brief with clear, accessible, and current information.
Communication for Social Change Anthology
Contains nearly 200 readings published between 1927 and 2005, in English or translated from other languages, on the historical roots and pioneering thinking regarding communication for social change. Covers a variety of topics, including the radio, tv and other mass communication, information and communication technology, the digital gap, the formation of an information society, national information policies, participatory decision making, communication of development, pedagogy and entertainment education, HIV/AIDS communication for prevention, etc.
Comunicação e política
Os autores desta obra abordam as dinâmicas responsáveis pela articulação entre os meios de comunicação, a prática comunicativa diária dos cidadãos e o engajamento em esferas públicas de debate. Afinal, é nessas esferas que se constitui o capital social e os sujeitos lutam contra o desrespeito e a desvalorização, procurando alterar os códigos discursivos que perpetuam formas de opressão simbólica. Textos de Sueli Yngaunis, Heloiza Matos, Guilherme Fráguas Nobre, Diólia Graziano, Devani Salomão, Cristiane Soraya Sales Moura, Clara Castellano, Cicilia Krohling Peruzzo, Ângela Marques , Ilídio Medina Pereira, Luiz Santiago, Rute V. A. Baquero, Rosemary Tenhosolo Jordão, Ricardo Fabrino Mendonça, Renata Barbosa Malva, Paula Franceschelli de Aguiar Barros, Mirta Maria Gonzaga Fernandes, Marcello Baquero, Luís R. Cardoso de Oliveira e Alain Caillé.
Branding Brazil
Branding Brazil examines a panorama of contemporary cultural productions including film, television, photography, and alternative media to explore the transformation of citizenship in Brazil from 2003 to 2014. A utopian impulse drove the reproduction of Brazilian cultural identity for local and global consumption; cultural production sought social and economic profits, especially greater inclusion of previously marginalized people and places. Marsh asserts that three communicative strategies from branding–promising progress, cultivating buy-in, and resolving contradictions–are the most salient and recurrent practices of nation branding during this historic period. More recent political crises can be understood partly in terms of backlash against marked social and political changes introduced during the branding period. Branding Brazil takes a multi-faceted approach, weaving media studies with politics and cinema studies to reveal that more than a marketing term or project emanating from the state, branding was a cultural phenomenon.
Relações públicas comunitárias
Atualmente é possível falar de relações públicas comunitárias, atividade comprometida com os interesses dos segmentos sociais organizados ou com o interesse público. O profissional que quer trabalhar pela mudança social precisa adotar princípios libertadores na aplicação das "funções" e das "técnicas" de relações públicas, utilizando o planejamento político-participativo de sua atividade, por sua vez baseado no planejamento sistêmico-instrumental.
Isuma
Since winning the Camera d'Or Award at the Cannes Film Festival in 2001, Igloolik Isuma Productions has been among the most well-known and influential indigenous film companies in the world. Isuma's premier movie, Atanarjuat (The Fast Runner) - the first-ever feature film produced by the Inuit and presented entirely in the Inuktitut language - has received numerous awards and critical acclaim. In Isuma: Inuit Video Art Michael Evans explores multiple aspects of the production company's filmmaking, including its cultural and political stances, its embrace of folklore and respect for ancestors, and its role in the Arctic community of Igloolik. In-depth interviews with the people of Isuma and a thoughtful analysis of their films reveal how the producers combine their vision of Inuit wisdom and honour with the demands of modern filmmaking to create compelling and visually stunning films that share Inuit culture with an international audience.Isuma: Inuit Video Art is a pragmatic, comprehensive and accessible study, bringing Isuma's Arctic to life while positioning its efforts within a larger frame of indigenous media and cultural expression.
