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Women Together
"132 short histories of organisations, grouped in thirteen sections"--Introduction.
Rosalie Gascoigne
Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.
English, Colonial, Modern and Maori
How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography’ of the 70 years during which the Robert McDougall Art Gallery was Christchurch’s civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, a...
Museums and Maori
This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.
The Colour of Distance
Includes memoirs, stories, and poems written in France by some of New Zealand's greatest writers - Janet Frame, Allen Curnow, James K Baxter and others. This anthology also represents the imaginative engagement of the French writers - including Blaise Cendrars, rugby writer Denis Lalanne, and Charles Juliet - who, in turn, visited New Zealand.
New Revised Edition
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One Shapely Thing
Clearly demonstrating how her poetry is drawn from personal experience, this bold and innovative collection of new poems exemplifies characteristic themes of her work: personal responsibility, social justice, and living in the natural world. Additionally, two prose journals--one written in the month following September 11, while her husband worked at the United Nations in New York City, and the second written while they were in Geneva in early 2002 when the U.S. response to September 11 was taking shape--further explore these themes and her response to these events.
