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Mary Cameron
Mary Cameron: Life in Paint' explores the fascinating story of Cameron?s life and career, charting her creative journey from elegant family portraits to breathtaking Spanish scenes. Mary Cameron (1865-1921) was an artist and woman ahead of her time. Born in Edinburgh, she began her career as a portraitist and genre painter in her native city, before venturing abroad to study in Paris. Foreign travel proved to be an enduring source of inspiration. In 1900 she visited Madrid for the first time, and was captivated by the Spanish culture, people and scenery. Establishing studios in Madrid and Seville, she executed large-scale compositions of traditional peasant life, dramatic bullfights and rural landscapes. Cameron exhibited widely, and her talents were recognised by contemporaries such as John Lavery and Alexander Roche. However, like many female artists of her generation, her name is now little-known. Exhibition: City Art Centre, Edinburgh, UK (02.11.2019-15.03.2020).
A Capital View
Edinburgh boasts one of the largest and most diverse collections of art of any city in Britain. In this book, Alyssa Poppiel features a hundred artworks from the city collection, from the Enlightenment to the present day, which feature Edinburgh and its surroundings. All are accompanied by extended captions which set the context and provide a huge amount of lively historical and anecdotal material.
Scottish Treasures
An exhibition catalogue illustrating fifty paintings from the National Gallery of Scotland's collection.
Art and Identity
This lively and erudite cultural history examines how Scottish identity was experienced and represented in novel ways.
No Ruined Stone
No Ruined Stone is a verse sequence rooted in the life of 18th-century Scottish poet Robert Burns. In 1786, Burns arranged to migrate to Jamaica to work on a slave plantation, a plan he ultimately abandoned. Voiced by a fictive Burns and his fictional granddaughter, a "mulatta" passing for white, the book asks: what would have happened had he gone?
Modern Scottish Women
This revelatory book concentrates on Scottish women painters and sculptors from 1885, when Fra Newbery became Director of the Glasgow School of Art, until 1965, the year of Anne Redpath's death. It explores the experience and context of the artists and their place in Scottish art history, in terms of training, professional opportunities and personal links within the Scottish art world. Celebrated painters including Joan Eardley, Margaret Macdonald Mackintosh and Phoebe Anna Traquair are examined alongside lesser-known figures such as Phyllis Bone, Dorothy Johnstone and Norah Neilson Gray, in order to look afresh at the achievements of Scottish women artists of the modern period.The book accompanies a show which will be held at the Scottish National Gallery of Modern Art Two in Edinburgh from 7 November 2015 to 26 June 2016.
Time Out Edinburgh
Time Out presents the best of Edinburgh, a historic city that has in the last decade shimmied right into the modern age.
