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Leading watercolour artist Michelle Scragg uses the popular medium of watercolour to produce paintings that have a strong sense of colour, in both her figurative and abstract work. But her work is also well designed and she shows how watercolour can translate very effectively into design for fabrics, furnishings, illustrations and other applications. The book comprises the following chapters: 1. Exploring Watercolour's Strengths: with skills, techniques and practical considerations 2. Bold Colour: from selecting colours to colour and composition 3. Expression and Design: Drawing and sketchbook work plus Effective Design, Fabric Design and Watercolour illustration. 4. Interpretation: from feeling and response to observation and imagination 5. Studio practice: how to adjust your work depending on the aims of the painting and the various practical issues, particularly when designing for fabric or furnishings.
VERY practical, on target for schools today—good balance of theory with anecdotal connections.” “At first I was worried about the time involved. I discovered when given 5 minutes . . . the time is a continuation to their work in progress. Realizing that creativity does not have to consume large chunks of time is more meaningful than tokens.” “I like the tone of the writing. It feels like there is a conversation going on.” “I like the stories of famous people and how their creativity influenced and changed their lives.” CREATIVITY FOR 21ST CENTURY SKILLS describes what many creative people really do when they create. It focuses on the practical applications of a theoretical ap...
Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities' sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime...
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John Goodby's sequence of sixty-seven sonnets read as a tribute to Ted Berrigan (1934-1983), the author of the masterly The Sonnets(1964), updated and transplanted from New York City to South Wales. Irreverent and at times shamelessly erotic, Goodby adopts Berrigan's unique collage style in these poems, repeating and refiguring lines of the ongoing work so that unexpected shifts in meaning occur in each new context, generating a kind of Fast Show meets Jules Laforgue effect. In these poems 'the existence of long-lasting emotions is something of a puzzle' as we enjoy mysterious encounters with film nut Nigel and Harry H Corbett in Carmarthen's Latin Quarter and are exhorted repeatedly to accept that 'love is a babe'. If I ever write a poem this raw I'll be amazed.
From a New York Times–bestselling author: A new kind of phone awakens the dead in this technological horror novel “reminiscent of Koontz at his best” (Booklist). Ever since his life was shattered by the kidnapping and murder of his young daughter, Peter Russell has become a ghost of a man. Once a successful director of adult films, he has been reduced to running questionable errands for an eccentric California millionaire. But everything changes when a Los Angeles start-up offers him the opportunity to create promotional videos for their revolutionary new technology, Trans. The product offers exceptionally powerful, crystal-clear mobile communication that can operate anywhere and every...
This volume brings to light material evidence to further our knowledge of Anglo-Saxon England.
Distraction is now too easily and often considered a metonym for modern consciousness, but it was also a medieval concern, which posed a particular threat to religious life. Distraction opened the door to all other temptations, and—most disturbingly of all for the monastic communities at the heart of this book—it invalidated central devotional acts like reading, praying, and reciting the Psalms. Far from an innocuous sensation, distraction posed a significant spiritual danger. It also generated powerful countervailing responses in literature, pedagogy, and religious observance, profoundly shaping literary interpretation in the process. The Hermeneutics of Distraction in Early Medieval En...