Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Photofictions
Débrouiller l'écheveau complexe de la mémoire et des images, et singulièrement de la photographie, dans le texte autobiographique contemporain telle est la tâche que s'est donnée l'auteur du présent...
University Record
None
Art of the Defeat
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
3 X Abstraction: New Methods of Drawing
An engaging look at three women artists' pathbreaking explorationof abstraction
Wols Photographs
"This exhibition of 1930s photographs by Wols will be the first presentation of this material in the United States. The German-French artist Wols, short for Wolfgang Schulze (1913-1951), rose to fame in the post-1945 European art scene as the founder of Informel painting. Previous European curators and scholars have thus presented Wols' photographs of the 1930s as anticipations of or studies for the later paintings. By contrast, this exhibition and the accompanying catalogue will, for the first time, present the photographs as an independent, coherent body of work that resonates rather with European photographic practices in the twenties and thirties. Wols' photographs combine Bauhaus material studies and surrealist defamiliarizations of objects. Their central fascinating characteristic is the peculiar entwinement of an inspecting but at the same time alienated gaze, of a curious and repulsed attitude towards the world. Approximately thirty photographs will be lent from The Getty Museum for the exhibition, which will be supplemented by loans from European institutions and the artist's family"--Publisher's website.
Modern Art - who Cares?
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
We Weren't Angels
A hub of sex, crime, and drugs, Boston's Combat Zone, the nation's largest adult entertainment district during the last half of the 20th century, lured white- and blue-collar workers, lawyers, professors, judges and cops to watch and chat up its adult performers, many of whom earned more than white-collar professionals. By 1985, its multi-decade run was over. Why did it last so long, despite constant attempts to destroy it? What drew thousands of women to perform there, despite the potential for danger? And what became of them, after the lights dimmed and the music stopped? This first comprehensive history of the Combat Zone authored by an active participant, is told through the gritty perspective of a Boston cab driver married to a star dancer. It introduces the district's strippers, club owners, transgender performers, prostitutes and cops, depicting them as neither saints nor sinners as they fought for survival and success in a time of sexual revolution and political upheaval. This is their story, much of it told in their own words.
