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Lucy Jones and Kelly O’Brien each have their problems. When they meet in Phuket in December 2004 and share their troubles, the future begins to look more promising. But a tsunami sweeps through the resort causing tragedy and chaos. After recovering from her injuries, Lucy, whose husband died in the tsunami, travels to Llandudno in Wales to visit her in-laws. Thirteen years later, still in Llandudno and having established a successful business there, an unexpected visitor turns up on Lucy’s doorstep who turns her whole world upside down. She then has to consider how far she will go to protect all she holds dear. The Wave is a psychological thriller set in: Phuket, Thailand; Melbourne, Australia and Llandudno, Wales.
Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially...
"I've seen many changes during the years," says Irene Bishop, "from horse and buggy to automobiles and planes, from palm leaf fans to refrigeration. . . . They talk about the good old days but I do not want to go back. I'd like to go back about twenty years, but not beyond that. Life was too hard." Drawing on interviews with twenty-nine individuals, Doing What the Day Brought examines the everyday lives of women from the late nineteenth century to the present day and demonstrates the role they have played in shaping the modern Arizona community. Focusing on "ordinary" women, the book crosses race, ethnic, religious, economic, and marital lines to include Arizona women from diverse background...
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Synopsis: A nonlinear three-hander as surprising as it is sexy, Magic Trick subverts audience expectations we don’t even know we have. Bana, a beautiful paraplegic who everyone falls in love with, is missing. Eric, her (ex?) boyfriend, can’t find her. Clara, that burlesque dancer they almost had a threesome with, gets naked and won’t leave his apartment. And just when he thinks it might all be over, Eric finally finds Bana… on the burlesque stage. With characters that are complicated, funny, and above all human, MacCarthy paints a portrait of people figuring out what it means to be in love while also staying true to oneself. Cast Size: 2 Females, 1 Male
Globalization promised that, after the collapse of the Soviet Union and the consequent end of the Cold War, a period of Augustan pax, has not failed to disclose the 'umpteenth deception: and the world becomes for a few powerful elites of the board games geopolitical strategy of increasingly pervasive, we are often unaware of the sacrificial pawns in the game. In this rapidly changing scenario, it is more important than ever to understand where the world is going ... or rather WHERE IN THE WORLD 'BETTER GO! With this new editorial work we want to reinforce the view, supported by personal experiences, that Brazil is among the few countries still growing in the world and especially one of the last frontiers where you can build a future. Brazil is magic! Paradise is here! LIVING ON INCOME IN BRAZIL With this new practical guide we want to share this magical place together with you. The paradise exists!
Up to 1988, the December issue contained a cumulative list of decisions reported for the year, by act, docket numbers arranged in consecutive order, and cumulative subject-index, by act.
Care has become a trend in the art field, but much of the recent curatorial focus seems to be limited to symbolic gestures through exhibitions and public programming. These efforts, however, have led to few (infra)structural changes. The need remains for bringing about fair working conditions, gender equity, and support structures for caregivers and care-receivers. In response, Sascia Bailer redefines »curatorial care« as an infrastructural practice grounded in feminist care ethics that provides »care for presence« for diverse audiences. Drawing from socially engaged curatorial and artistic practices, she offers hands-on propositions for constructing caring infrastructures and provides a micro-political roadmap for curating with care.
For over a decade, Contemporary Art and Multicultural Education has served as the guide to multicultural art education, connecting everyday experience, social critique, and creative expression with classroom learning. The much-anticipated Rethinking Contemporary Art and Multicultural Education continues to provide an accessible and practical tool for teachers, while offering new art, essays, and content to account for transitions and changes in both the fields of art and education. A beautifully-illustrated collaboration of over one hundred artists, writers, curators, and educators from in and around the contemporary art world, this volume offers thoughtful and innovative materials that chal...
Reading and writing are the most important skills a child acquires during his or her lifetime--and it all begins in the early childhood classroom, where creative play, discovery and time to explore are at the heart of a developmentally appropriate and child-centered curriculum. Striking a balance between these often competing priorities can challenge even the most experienced educator.