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EDWARDIAN CANDLELIGHT
This book is a collection of Edwardian childhood memories, including unique paintings, drawings and poems. All created by author Cerita Stanley-Little over her lifetime: Inherited, collected and edited by her daughter Clarissa Lablache Cheer: In a series of recollections, her story vividly portrays in detail, the fears and actions of a small child, and how she rebelled against the oppressive middle class family upbringing in England, before World War I began and tore apart their orderly lives. The author looks back into reflections of memory, of the human condition in her family upbringing, and plunges us deep into the heart of an Edwardian child, and life where children were still brought up under strict Victorian discipline. Later in life when nostalgia engulfed her, she liked to remember the softer familiar Edwardian world she knew, where time stood still, and her imagination ran wild creating fantasy stories and pictures.
The Great Lablache
During the Golden Age of Italian opera, Luigi Lablache triumphed as one of the most admired and accomplished international superstars. Born in Naples in 1795, his unprecedented forty-five year singing career dominated the glorious bel canto period when opera flourished as the principal form of entertainment. Now his direct descendant, Clarissa Lablache Cheer, puts forth this remarkable and long overdue biography of Lablache – the first ever to be written in English. Page by page, Lablache’s extraordinary story unfolds as the author guides the reader through the hectic and glamorous era of Italian opera and European high society. We follow Lablache as he conquers the dazzling nineteenth c...
The Great Lablache
During the Golden Age of Italian opera, Luigi Lablache triumphed as one of the most admired and accomplished international superstars. Born in Naples in 1795, his unprecedented forty-five year singing career dominated the glorious bel canto period when opera flourished as the principal form of entertainment. Now his direct descendant, Clarissa Lablache Cheer, puts forth this remarkable and long overdue biography of Lablache the first ever to be written in English. Page by page, Lablache's extraordinary story unfolds as the author guides the reader through the hectic and glamorous era of Italian opera and European high society. We follow Lablache as he conquers the dazzling nineteenth century...
Giovanni Battista Rubini and the Bel Canto Tenors
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period woul...
London Voices, 1820–1840
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on ...
The Old Italian School of Singing
This work describes in accessible language the technical foundations of the Old Italian School of Singing. It enables the reader to grasp the teachings of the old masters theoretically and practically. The research for this book used not only the old treatises from the 1700's onwards but also firsthand testimonies, biographies and recordings from historical singers. The author systematically takes us through the basic elements of historical singing with practical hints and exercises tested by extensive teaching experience.
Gioachino Rossini's the Barber of Seville
Introduction. "Bravo Figaro, Bravo Bravissimo!" -- A Whirlwind of Change -- Early Revivals : Almaviva, Bartolo, and Their Many Ways -- The World of Rosina and the Prima Donna's Playground -- A Return to Rossini -- The Untethered Splendor of Il barbiere di Siviglia.
Alto
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their...
Opera
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Strukturen und Netzwerke
Die Geschichte der medizinischen Forschung und Praxis in Wien wird erst im Kontext ihrer Strukturen und Netzwerke verständlich. Die Analyse der lokalen und internationalen Beziehungen der »Wiener Medizin« im 19. und 20. Jahrhundert und ihrer Netzwerkstrukturen stellt seit langem ein Forschungsdesiderat dar. Dieser Band erforscht diese Beziehungen mit dem Ziel, die Geschichte medizinischer Forschung und Praxis zu re-kontextualisieren. Die Beiträge beleuchten Mobilität, Wissenstransfers, Standards und Richtlinien, soziale und berufliche Netzwerke, Transformationen politischer und kultureller Konzepte zwischen Zentren der Medizin, wie auch Formen des Austauschs zwischen künstlerischen und medizinischen Sphären und Memorialformen – als transnationale Phänomene sowie in ihrer Prägekraft für medizinische Forschung und Praxis in Wien.
