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Slash and Burn
A woman fights to keep her daughters safe in the wake of war and political trauma in Central/ Latin America.
Knitting the Fog
Weaving together narrative essay and bilingual poetry, Claudia D. Hernández’s lyrical debut follows her tumultuous adolescence as she crisscrosses the American continent: a book "both timely and aesthetically exciting in its hybridity" (The Millions). Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn’t speak English, and her Spanish sticks out as “weird” in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either. A harrowing story told with the candid innocence of childhood, Hernández’s memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.
They Have Fired Her Again
They Have Fired Her Again is the ominous and compelling tale of a Central American immigrant in New York, narrated by the voices surrounding Lourdes during the exhausting rituals of her workday. Following a myriad of other working immigrants, Lourdes finds herself immersed in an ongoing pursuit of a job, while also being hunted down by peculiar animals-a light moth, a motmot bird, the cats in the shadows, a little crystalline dog, a wolf of stone-among other spectacular collections of animals that steal away, or liberate, lonely women into the perpetual night of the city. They Have Fired Her Again is the first novella by prize-winning Salvadorean author Claudia Hernandez to be translated into English. This bilingual edition includes the original text and the translation by Aaron Lacayo."
Specters of War
Specters of War explores mourning practices in postwar Central America, particularly in El Salvador and Guatemala. Ignacio Sarmiento delves into the intricate dynamics of grieving through an interdisciplinary lens, analyzing expressions of mourning in literature, theater, and sites of memory. At the heart of this analysis is the contention over who has the right to mourn, how mourning is performed, and who is included in this process. Sarmiento reveals mourning not as a private affair but as a battleground where different societal factions vie for the possibility of grieving the dead. Through meticulous research and theoretical nuance, Specters of War sheds light on the politics of mourning ...
Trout Belly Up
In seven interconnected short stories, the Guatemalan countryside is ever-present: a place of timeless peace, and the site of sudden violence. Don Henrik, a good man struck time and again by misfortune, confronts the crude realities of farming life, family obligation, and the intrusions of merciless entrepreneurs, hitmen, drug dealers, and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, Trout, Belly Up is a beguiling, disturbing ensemble of moments set in the heart of a rural landscape in a country where brutality is never far from the surface.
Gardens of Colombia
Unlike architecture, sculpture or painting, the art of gardening produces living works that grow, blossom, change, and fade. As such, the garden could be considered the supreme work of art, and indeed it has been so in all civilizations. A garden on any scale enhances the architecture it surrounds. What would Versailles have been without its spectacular gardens and their orderly vistas, or the great country houses in England without the eighteenth-century landscape designers? Likewise it is hard to imagine rural or urban houses in Colombia without their planned patios and courtyards. The jagged geography of Colombia divides it into several contrasting regions: the Caribbean coast, Antioquia,...
Critical Medical Anthropology
Critical Medical Anthropology presents inspiring work from scholars doing and engaging with ethnographic research in or from Latin America, addressing themes that are central to contemporary Critical Medical Anthropology (CMA). This includes issues of inequality, embodiment of history, indigeneity, non-communicable diseases, gendered violence, migration, substance abuse, reproductive politics and judicialisation, as these relate to health. The collection of ethnographically informed research, including original theoretical contributions, reconsiders the broader relevance of CMA perspectives for addressing current global healthcare challenges from and of Latin America. It includes work spanning four countries in Latin America (Mexico, Brazil, Guatemala and Peru) as well as the trans-migratory contexts they connect and are defined by. By drawing on diverse social practices, it addresses challenges of central relevance to medical anthropology and global health, including reproduction and maternal health, sex work, rare and chronic diseases, the pharmaceutical industry and questions of agency, political economy, identity, ethnicity, and human rights.
Central American Migrations in the Twenty-First Century
"Central American Migrations in the Twenty-First Century is an interdisciplinary approach to human mobility in Central America and beyond"--
Bodies Built for Game
Sport has always been central to the movements of both the nation-state and the people who resist that nation-state. Think of the Roman Colosseum, Jesse Owens’s four gold-medal victories in the 1936 Nazi Olympics, Kareem Abdul-Jabbar’s protest at the 1968 Olympics, and the fallout Colin Kaepernick suffered as a result of his recent protest on the sidelines of an NFL game. Sport is a place where the body and the mind are the most dangerous because they are allowed to be unified as one energy. Bodies Built for Game brings together poems, essays, and stories that challenge our traditional ideas of sport and question the power structures that athletics enforce. What is it that drives us to athletics? What is it that makes us break our own bodies or the bodies of others as we root for these unnatural and performed victories? Featuring contributions from a diverse group of writers, including Hanif Abdurraqib, Fatimah Asghar, Reginald Dwayne Betts, Louise Erdrich, Toni Jensen, Ada Limón, Tommy Orange, Claudia Rankine, Danez Smith, and Maya Washington, this book challenges America by questioning its games.
A Massacre in Mexico
On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernndez reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernndez demolishes the Mexican state's official version, which the ...
