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A Handbook of Biblical Reception in Jewish, European Christian, and Islamic Folklores
This first volume of a two-volume Handbook treats a challenging, largely neglected subject at the crossroads of several academic fields: biblical studies, reception history of the Bible, and folklore studies or folkloristics. The Handbook examines the reception of the Bible in verbal folklores of different cultures around the globe. This first volume, complete with a general Introduction, focuses on biblically-derived characters, tales, motifs, and other elements in Jewish (Mizrahi, Sephardi, Ashkenazi), Romance (French, Romanian), German, Nordic/Scandinavian, British, Irish, Slavic (East, West, South), and Islamic folkloric traditions. The volume contributes to the understanding of the Hebr...
Musical Cultures in Seventeenth-Century Russia
Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.
Russia's Theatrical Past
In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
History of Music in Russia from Antiquity to 1800
A pathbreaking, monumental work on the origins and development of music in Russia.
History of Music in Russia from Antiquity to 1800: From antiquity to the beginning of the eighteenth century. Introduction. The predecessors of the Slavs ; Pagan Rus' ; Kievan Rus' ; Novgorod the Great ; The activities of the Skomorokhi in Russia ; Music and musical instruments in Russian miniatures, woodcuts, and glossaries ; A survey of old Russian folk instruments ; Music in ancient Moscow (fifteenth and sixteenth centuries) ; Music in the monastery. Chashi (toasts). Bell ringing. Sacred performances (sixteenth and seventeenth centuries) ; Music in court life in the seventeenth century ; A brief survey of singers, composers, and music theorists of the sixteenth and seventeenth centuries ; Music and theater in the age of Peter the Great
Volume 1 details the development of musical culture in pre-Christian and Kievan Rus' and in Novgorod the Great; the activities of Russia's first folk musicians, the skomorokhi; the varieties and evolution of musical instruments, especially old Russian folk instruments; music in fifteenth- and sixteenth-century Moscow; music in the monastery and in court life in the seventeenth century; and music and theater in the age of Peter the Great.
History of Music in Russia from Antiquity to 1800: The eighteenth century. Music and theater, 1730-1740 ; Music in court life during the reigns of Elizabeth Petrovna and Catherine II ; Music in Russia's domestic life during the second half of the eighteenth century ; The Russian horn band ; Music in Russian public life during the second half of the eighteenth century ; Musical creativity in Russia during the eighteenth century ; Literature about music, publishers and sellers of sheet music, instrument makers and merchants
Volume 1 details the development of musical culture in pre-Christian and Kievan Rus' and in Novgorod the Great; the activities of Russia's first folk musicians, the skomorokhi; the varieties and evolution of musical instruments, especially old Russian folk instruments; music in fifteenth- and sixteenth-century Moscow; music in the monastery and in court life in the seventeenth century; and music and theater in the age of Peter the Great.
Independent Ukraine
Approximately 1700 entries describe monographs, scholarly essays, and doctoral dissertations published in the Ukraine from 1990 to 1999. The material is arranged in chapters with an introduction oulining developments and important authors and their works.
