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The Virtual Embodied
The Virtual Embodied is intended to inform, provoke and delight. It explores the ideas of embodiment, knowledge, space, virtue and virtuality to address fundamental questions about technology and human presence. It juxtaposes cutting-edge theories, polemics, and creative practices to uncover ethical, aesthetic and ecological implications of why, how and in particular where, human actions, observations and insights take place. In The Virtual Embodied, many of the authors, artists, performers and designers apply their interdisciplinary passions to questions of embodied knowledge and virtual space. In doing so it chooses to acknowledge the limitations of the conventional linear book and uses them creatively to challenge existing genres of multi-media and networked consumerism.
Agency and Media Reception
What happens to our sense of agency, our general ability to perform actions in our life worlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory as well as film, game and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV and The Walking Dead.
A Grammar of Mian
Mian is a non-Austronesian ('Papuan') language of the Ok family spoken in the Highlands fringe in western Papua New Guinea. Mian has approximately 1,400 speakers and is highly endangered. This grammar is the first comprehensive description of the language. It is based on primary field data consisting of a text corpus that covers different genres of the oral tradition, namely myths and ancestor stories, historical accounts, accounts of the initiation ritual, conversations, and procedural texts. The corpus was recorded by the author during a total of eleven months of field work from 2004 to 2008. The book provides a thorough description of all areas of Mian grammar and gives an in-depth analys...
Reciprocals and Semantic Typology
Is there a single, Platonic 'reciprocal' meaning found in all languages, or is there a cluster of related concepts which are nonetheless impossible to characterize in any single way? This title develops and explains techniques for tackling this question. It confronts a general problem facing semantic typology.
Case-marking in Contact
Until recently, mixed languages were considered an oddity of contact linguistics, with debates about whether or not they actually existed stifling much descriptive work or discussion of their origins. These debates have shifted from questioning their existence to a focus on their formation, and their social and structural features. This book aims to advance our understanding of how mixed languages evolve by introducing a substantial corpus from a newly-described mixed language, Gurindji Kriol. Gurindji Kriol is spoken by the Gurindji people who live at Kalkaringi in northern Australia and is the result of pervasive code-switching practices. Although Gurindji Kriol bears some resemblance to both of its source languages, it uses the forms from these languages to function within a unique system. This book focuses on one structural aspect of Gurindji Kriol, case morphology, which is from Gurindji, but functions in ways that differ from its source.
Television Studies and Research on Series
Zusammenfassung: Television series enjoy an unbroken - popular as well as scholarly - attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven - economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual - and what, in turn, can be learned from this for seri...
Sonic Possible Worlds
An inspired application of Possible World theory to approach and interpret the acoustic environment, music and sound art.
A Corpus-Driven Approach to Language Contact
This book proposes a corpus-driven approach to language contact based on the study of endangered languages. Drawing on variationist and language contact frameworks, it presents an analysis of spoken corpora from Europe and Mexico using a combination of criteria. The aim of this approach is to establish patterns of multilingual speech prevailing in different communities and allow for crosslinguistic comparison.
Cinematic Histospheres
In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).
