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Now in paperback, a collection of “darkly humorous, existential, erotic, trance inducing” (The New York Times) short stories by the lauded French comics artist Nicole Claveloux. Nicole Claveloux’s short stories—originally published in the late 1970s and never before collected in English—are among the most beautiful comics ever drawn: whimsical, intoxicating, with the freshness and splendor of dreams. In hallucinatory color or elegant black-and-white, she brings us into lands that are strange but oddly recognizable, filled with murderous grandmothers and lonely city dwellers, bad-tempered vegetables and walls that are surprisingly easy to fall through. In the title story, written with Edith Zha, a new houseplant becomes the first step in an epic journey of self-discovery and a witty fable of modern romance—complete with talking shrubbery, a wised-up genie, and one very depressed bird. This selection, designed and introduced by Daniel Clowes, presents the full achievement of an unforgettable, unjustly neglected master of French comics.
With her unique power to enter the television set and change the course of the programs, Alala creates havoc in the world.
A picture book in cartoon format that tells the story of a small imp named Grabote who pops off the illustrator's eyeball and takes part in a psychedelic adventure.
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As a companion volume to Pantagruel, this new edition of Gargantua continues Rabelais’ acclaimed fantasy of a mythical family of giants. Gargantua introduces Pantagruel’s father—another wondrous giant. As he tells Gargantua’s life story from his birth and education to his later life, Rabelais uses the events of the giant’s life to parody medieval and classical learning, mock traditional ecclesiastical authority, and proffer his own thoughts on humanism and society. Marked with the same warm humor, obsession with food, and scatological wit of Pantagruel, Gargantua is a further striking burlesque on Rabelais’ contemporaries and a glorious outpouring of Renaissance plenitude.
This 1920 collection includes five timeless French fairy tales written by Comtesse De Segur and illustrated by the 19 year old Virginia Sterrett.
One of the Globe & Mail’s 100 Best Books of 2018 A timely collection of work about race and immigration in Paris by one of France's most revered cult comic book artists. Yvan Alagbé is one of the most innovative and provocative artists in the world of comics. In the stories gathered in Yellow Negroes and Other Imaginary Creatures—drawn between 1994 and 2011, and never before available in English—he uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. It is both an extraordinary experiment in visual storytelling and an essential, deeply personal political statement. With unsettling power, the title story depicts the lives of undocum...
This book situates the picturebook genre within the widespread international phenomenon of crossover literature, examining an international corpus of picturebooks — including artists’ books, wordless picturebooks, and celebrity picturebooks — that appeal to readers of all ages. Focusing on contemporary picturebooks, Sandra Beckett shows that the picturebook has traditionally been seen as a children’s genre, but in the eyes of many authors, illustrators, and publishers, it is a narrative form that can address any and all age groups. Innovative graphics and formats as well as the creative, often complex dialogue between text and image provide multiple levels of meaning and invite reade...
Sugar, Spice, and the Not So Nice offers an innovative, wide-ranging and geographically diverse book-length treatment of girlhood in comics. The various contributing authors and artists provide novel insights into established themes within comics studies, children’s comics, graphic medicine and comics by and about refugees and marginalised ethnic or cultural groups. The book enriches traditional historical, narratological and aesthetic approaches to studying girlhood in comics with practice-based research, discussion and conversation. This re-examination of girls, gender and identity in comics connects with contemporary discourse on gender identity politics. Through examples from both within Europe, the anglophone world and beyond, and including visual essays alongside critical theory, the volume furthermore engages with new developments in contemporary comics scholarship. It will therefore appeal to students and scholars of childhood studies, comics scholars and creators, and those interested in addressing gender identity through the prism of comics.
A masterpiece that is not likely to be forgotten by its readers - a brilliant devastating child's eyes portrait of the ordinary day in the ordinary school. Bringing together 28 illus. and their individual styles. Albert Cullum uses his experience as a teacher to create a picture book that highlights the gulf between adult and child. Each illus. depicts a familiar scene from the classroom with the text echoing the child's thoughts. At times amusing, always evocative, this book is sure to remind every reader of his or her childhood. 5 yrs+