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The Century's Midnight is an exploration of the literary and political relationships between a number of ideologically sophisticated American and European writers during a mid-twentieth century dominated by the Second World War. Clive Bush offers an account of an intelligent and diverse community of people of good will, transcending national, ideological and cultural barriers. Although structured around five central figures - the novelist Victor Serge, the editors Dwight Macdonald and Dorothy Norman, the cultural critic Lewis Mumford and the poet Muriel Rukeyser - the book examines a wealth of European and American writers including Hannah Arendt, Simone de Beauvoir, Walter Benjamin, John Dos Passos, André Gide, Henry Miller, Anaïs Nin, George Orwell, Boris Pilniak, Albert Camus, Jean-Paul Sartre, Ignacio Silone and Richard Wright. The book's central theme relates politics and literature to time and narrative. The author argues that knowledge of the writers of this period is of inestimable value in attempting to understand our contemporary world.
Robert Duncan was a defining figure of twentieth-century American poetry. Eric Mottram was a pioneer in the field of American Studies in the UK and a key contributor to the British Poetry Revival. In the 1970s the two men conducted a wide-ranging dialogue on poetry, politics and the religious through an exchange of intense and often expansive letters. Mottram continued the dialogue in two substantive critical examinations of Duncan's work. The Unruly Garden presents an annotated edition of the complete available correspondence along with the two essays. The first essay was heavily edited when originally published and is included here in its restored form. The second essay appeared in a small press magazine and now receives the wider circulation it deserves.
Dark Voices is the first sustained examination of the intellectual formation of W. E. B. Du Bois, tracing the scholar and civil rights leader's thought from his undergraduate days in the 1880s to the 1903 publication of his masterpiece, The Souls of Black Folk, and offering a new reading of his work from this period. Bringing to light materials from the Du Bois archives that have not been discussed before, Shamoon Zamir explores Du Bois's deep engagement with American and European philosophy and social science. He examines the impact on Du Bois of his studies at Harvard with William James and George Santayana, and shows how the experience of post-Reconstruction racism moved Du Bois from meta...
Incorporating HC 651-i to -viii, session 2007-08
An examination of the literary and cultural reaction to the Californian Gold Rush of 1849-50.
The Poetry of Saying unearths a secret history of fifty years of experimental British verse, revealing and illuminating the daring work of British poets who have spent a half-century rewriting the rules of English poetry. Poet Robert Sheppard considers individual poets such as Roy Fisher and Lee Harwood as well as the role of poetry magazines and the Poetry Society. Sheppard's position at the center of the 1950s British Poetry Revival enables him to offer an insider's commentary on the social, political, and historical background of this particularly fertile and exciting period in British poetry.
Spanning the 1870s to the present, Individuality Incorporated demonstrates how crucial a knowledge of Native American-White history is to rethinking key issues in American studies, cultural studies, and the history of subjectivity. Joel Pfister proposes an ingenious critical and historical reinterpretation of constructions of “Indians” and “individuals.” Native Americans have long contemplated the irony that the government used its schools to coerce children from diverse tribes to view themselves first as “Indians”—encoded as the evolutionary problem—and then as “individuals”—defined as the civilized industrial solution. As Luther Standing Bear, Charles Eastman, and Bla...
Discusses the relationship between workers and the government by focusing not on the legal regulation of unions and strikes, but on popular struggles for citizenship rights.
Many Victorian novels take place not in the steam-powered railway present of that era, but in the recent past: a world moving by stage and mail coach. Ruth Livesey explores the historical consciousness of such works by Dickens, Bronte, Eliot, and Hardy, and explains how they convey an idea of a national belonging through a sense of local place.