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Doing it Right
Warner Bros.'s withdrawal of Peckinpah's cut of the film drew tremendous sympathy for Peckinpah from American and European film critics alike.
Peckinpah
The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on...
Engaging Deconstructive Theology
Engaging Deconstructive Theology presents an evangelical approach for theological conversation with postmodern thinkers. Themes are considered from Derrida, Foucault, Mark C. Taylor, Rorty, and Cupitt, developing dialogue from an open-minded evangelical perspective. Ron Michener draws upon insights from radical postmodern thought and seeks to advance an apologetic approach to the Christian faith that acknowledges a mosaic of human sources including experience, literature, and the imagination.
Peckinpah Today
Written exclusively for this collection by today’s leading Peckinpah critics, the nine essays in Peckinpah Today explore the body of work of one of America’s most important filmmakers, revealing new insights into his artistic process and the development of his lasting themes. Edited by Michael Bliss, this book provides groundbreaking criticism of Peckinpah’s work by illuminating new sources, from modified screenplay documents to interviews with screenplay writers and editors. Included is a rare interview with A. S. Fleischman, author of the screenplay for The Deadly Companions, the film that launched Peckinpah’s career in feature films. The collection also contains essays by scholar ...
Learning on Life’s Way
Born into a pack of religiously divided siblings with a devout mother and an agnostic father, Sponheim finds the triad of faith/unfaith/many faiths central in telling the tall tale of God. Through his half-century of teaching and writing, the doctrine of creation becomes decisive for Sponheim, featuring a God who has a "very big operation going in this world." Drawing on such diverse mentors as Soren Kierkegaard, Alfred North Whitehead, and feminist authors, he offers a deeply relational conception of the "tallness," the height, humankind seeks. In his own family he sees God's operation in such diverse worlds as music, science, and athletics. Personally, he has witnessed the saving work of the Creator in such worldly affairs as inner city social change programs, a domestic abuse project, and the National Alliance for the Mentally Ill. Without compromising a present-time "ethic of risk," he closes with an eschatological exploration, asking "What future would do, if it were true?" And "Is it true?"
The Good, the Bad and the Ancient
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
Classical Antiquity and the Cinematic Imagination
The first systematic study of classical literature and arts to explain their close affinities with modern visual technologies and media.
Lament of an Audience on the Death of an Artist
This is the record of the pilgrimage of one great artist, reflected in the experience of one small audience. When Sam Peckinpah died in 1984, I spent some time working out my responses to his work as a whole and, more generally, puzzling over the experience of following contemporary artists as their work takes shape. I ended up lamenting Peckinpah's death, pondering those wonderful movies, and reflecting on what all our watching, reading, and listening amounts to in our living.
God in the Details
Exploring the blurred boundary between religion and pop culture, God in the Details offers a provocative look at the breadth and persistence of religious themes in the American consciousness. This new edition reflects the explosion of online activity since the first edition, including chapters on the spiritual implications of social networking sites, and the hazy line between real and virtual religious life in the online community Second Life. Also new to this edition are chapters on the migration of black male expression from churches to athletic stadiums, new configurations of the sacred and the commercial, and post 9/11 spirituality and religious redemption through an analysis of vampire drama, True Blood. Popular chapters on media, sports, and other pop culture experiences have been revised and updated, making this an invaluable resource for students and scholars alike.
Somebody's Sinning In My Bed
A wickedly funny, uplifting novel of love and betrayal. . .good karma and bad karma. . .sin and redemption. . . Chyna and her sister, Janelle, are always moments away from a catfight. They love each other, but Janelle has never forgiven her sister for swiping her first love, Cordell. That was ages ago, and now Chyna is showing off as the First Lady of New Hope Assembly, a church caught between the old ways of Holiness and new ways of serving its community. New Hope's leader, Reverend Grayson Young, is also caught--in the infamous Sweet Bush lounge, an establishment well-known for adult pleasures. . . With the church congregation running wild in the aftermath of her husband's scandalous behavior, Chyna turns to Janelle for guidance. But if Chyna thinks she's getting sympathy, she'd better think again, because Janelle's got her own crisis. And when Cordell suddenly reappears in their lives, what follows are squabbling, chaos, and surprises that show just how hard the road to salvation really is. "Filled with characters that jump off the page. . . . Pat G'Orge-Walker has a way of showing us our flaws in a humorous manner." --Shelia M. Goss, author of Delilah
