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Shakespearean Performance
Shakespearean Performance: New Studies contains ten essays in Shakespearean performance scholarship, plus an introduction by the editor. They are papers presented at Drew University by some of the best Shakespearean scholars in the field: Andrew Gurr, Jean Howard, Arthur Kinney, Harry Keyishian, Russell Jackson, Corey Abate, Cary Mazer, Milla Riggio, Ralph Berry, and James Bulman. The essays cover such areas as the new Globe playhouse, the staging of certain plays, the film versions of several plays, cross-dressing, and the play-within-the-play, as well as other areas of interest to students of Shakespearean performance.
Who is the Real Whore of Parma? – Representation of Women in Ford’s "'Tis Pity She’s a Whore"
Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Marburg, course: Concept of Love, language: English, abstract: Not only because of its provoking title, ‘Tis Pity She’s a Whore can be described as John Ford’s most controversial play (Anderson 92). The play’s main plot portrays the passionate but forbidden love between the siblings Giovanni and Annabella. Moreover, ‘Tis Pity is an extraordinary violent play with “... several vivid action sequences” (Abate 94). All in all, there are five murder victims, Annabella’s tutress Putana is blinded, and her father Florio drops dead. The play reaches its bru...
The Merchant of Venice
This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
A Fury in the Words:
Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, a...
Mary Sidney, Lady Wroth
Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidne...
Performing Privacy and Gender in Early Modern Literature
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Shakespeare's Domestic Tragedies
Reassess the relationship between Shakespeare's Hamlet, Othello, Macbeth, and the emerging genre of domestic tragedy by other early modern playwrights.
The Mysterious and the Foreign in Early Modern England
"The essays collected in this volume explore many of the most interesting, and some of the more surprising, reactions of English people in the early modern period to their encounters with the mysterious and the foreign. In this period the small and peripheral nation of English speakers first explored the distant world from the Arctic, to the tropics of the Americas, to the exotic East, and snowy wastes of Russia, recording its impressions and adventures in an equally wide variety of literary genres. Nearer home, fresh encounters with the mysterious world of the Ottoman Empire and the lure of the Holy Land, and, of course, with the evocative wonders of Italy, provide equally rich accounts for the consumption of a reading and theatergoing public. This growing public proved to be, in some cases, naive and gullible, in others urbanely sophisticated in its reactions to "otherness," or frankly incredulous of travelers' tales."--BOOK JACKET.
Who Is the Real Whore of Parma? Â Representation of Women in Ford's 'Tis Pity She's a Whore
Seminar paper from the year 2010 in the subject English - Literature, Works, grade: 1,3, University of Marburg, course: Concept of Love, language: English, abstract: Not only because of its provoking title, 'Tis Pity She's a Whore can be described as John Ford's most controversial play (Anderson 92). The play's main plot portrays the passionate but forbidden love between the siblings Giovanni and Annabella. Moreover, 'Tis Pity is an extraordinary violent play with "... several vivid action sequences" (Abate 94). All in all, there are five murder victims, Annabella's tutress Putana is blinded, and her father Florio drops dead. The play reaches its brutal climax when Giovanni enters the feast ...
At Home in Shakespeare's Tragedies
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this ...
