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Presence in Play
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of ‘presence.’ Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of ‘presence’ as a key concept for theatre studies today.
Gael and Gall
INVASION, RELIGION, and REVOLUTION IN TWELFTH CENTURY IRELAND In 1154 Henri, King of the English, was granted the Lordship of Ireland by the English Pope, Hadrian. In 1169, he arrived in Ireland with an army to put his Lordship into effect. One man decided to resist him – Cormac Mac Cartaigh, son of Diarmaid Rii, King of Desmond. Cormac defied his father, took to the mountains of Cill Airne, and launched his heresy and his rebellion. ‘A rollicking good story.’ Jerry Crowley, , Chapelizod, Co Dublin. ‘Medieval passion, guts and blood in the rebel south.’ Niall Herriott, Kilmichael, Co. Cork. ‘A gripping retelling of the first violent encounters in Anglo-Irish history.’ Robert E. Gurney, St. Albans, UK.
Celtic Cosmology and the Otherworld
The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors. Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.
Cormac's Glossary
Reprint of the original, first published in 1868.
Writing and the Modern Stage
This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
Rowan
A cultural history of a reddish, much-loved shrub, sometimes called mountain ash or dogberry. Rowan is the first in-depth natural and cultural history of this much-loved plant sometimes called mountain ash or dogberry. Through myth, medicine, literature, land art, and contemporary rewilding, Oliver Southall uncovers the many meanings of this singular reddish, fruit shrub: a potent symbol of nostalgia on the one hand and of environmental activism on the other. Taking the reader on an eclectic journey across history, Rowan charts our changing relationships with nature and landscape, raising urgent questions about how we value and relate to the non-human world.
Rekindling Democracy
Finally, a book that offers a practical yet well-researched guide for practitioners seeking to hone the way they show up in citizen space. At a time when public trust in institutions is at its lowest, expectations of those institutions to make people well, knowledgeable, and secure are rapidly increasing. These expectations are unrealistic, causing disenchantment and disengagement among citizens and increasing levels of burnout among many professionals. Rekindling Democracy is not just a practical guide; it goes further in setting out a manifesto for a more equitable social contract to address these issues. Rekindling Democracy argues convincingly that industrialized countries are suffering ...
Ethical Encounters
The essays on dimensions of theatre ethics at the heart of contributions to this volume demonstrate how individual academics and theatre artists have thought about the ethical implications of theatre, and present the concepts and paradigms that have guided and influenced their thinking. They raise relevant issues and debate these in clearly defined, but not uniform ways—ways that have helped them to come to terms with the issues they raise. The reader may agree or disagree with individual authors or individual arguments. If such agreement or disagreement supports them to form and develop their own opinions and resultant actions, this book has served its purpose. This volume arises from the...
Staging Cultural Encounters
Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the U.S. under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as "Apples," written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange.
