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Beatrice Marion Hayes Corrigan Fonds
Personal files of Beatrice Corrigan, Professor of Italian, including elementary school reports, photographs, a scrapbook, and certificates for honours and degrees conferred; professional correspondence, lecture notes; notes for and drafts of articles; notes, correspondence and programmes relating to conferences and symposia; correspondence regarding and drafts of festschrift From Petrarch to Pirandello; research notes; offprints. Greeting cards, pamphlets, book reviews, photographs, and Postcards (some annotated) of France and Italy (1906-1970).
Curious Annals
Translations of original documents found in the Cortona codex. Browning had originally bought a manuscript called the Old yellow book, a "collection of printed and manuscript documents which Browning had bought in Florence, and on which he based the tale told in The ring and the book", concerning a Roman murder trial from the 17th century. This Cortona codex "consisted entirely of documents dealing with the personages and events of the Comparini-Franceschini relationship [found in the Old yellow book] and that about half these documents contained material which had hitherto been unknown."--Introduction.
The Vision of Dante
The popular and critically acclaimed translation of Dante's Divine Comedy into English was carried out by the Anglican Reverend H. F. Cary. He has an honoured place in the rediscovery of Dante's masterpiece in Romantic Britain. Shelley, Byron, Wordsworth and Coleridge lavished praise upon his translation and it was through Cary's The Vision of Dante that the beauty and intricacies of the Italian poem. The book examines crucial aspects of British culture in the 19th Century and throws light on the manifold transformations of Dante's imagery into English poetry.
Dante on View
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
