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State of Madness
What madness meant was a fiercely contested question in Soviet society. State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death. State psychiatrists deployed set narratives of mental illness to pathologize dissenting politics and art. Dissidents such as Aleksandr Vol'pin, Vladimir Bukovskii, and Semen Gluzman responded by highlighting a pernicious overlap between those narratives and their life stories. The state, they suggested in their own psychiatrically themed texts, had crafted an idealized view of reality that itself resembled a pathological work of art. In their unsanctioned poetry and prose, the ...
A State of Secrecy
Secret police agencies such as the East German Ministry for State Security kept enormous quantities of secrets about their own citizens, relying heavily on human modes of data collection in the form of informants. To date little is known about the complicated and conflicted lives of informers, who often lived in a perpetual state of secrecy. This is the first study of its kind to explore this secret surveillance society, its arcane rituals, and the secret lives it fostered. Through a series of interlocking, in-depth case studies of informers in literature and the arts, A State of Secrecy seeks answers to the question of how the collusion of the East German intelligentsia with the Stasi was p...
Western Crime Fiction Goes East
This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as “Pinkertonovshchina,” these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a “red” resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of “Pinkertonovshchina” as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The “red Pinkerton” emerges as a vital “missing link” between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.
Remembering Transitions
This volume offers critical perspectives on memories of political and socioeconomic ‘transitions’ that took place between the 1970s and 1990s across the globe and that inaugurated the end of the Cold War. The essays respond to a wealth of recent works of literature, film, theatre, and other media in different languages that rethink the transformations of those decades in light of present-day crises. The authors scrutinize the enduring silences produced by established frameworks of memory and time and explore the mnemonic practices that challenge these frameworks by positing radical ambivalence or by articulating new perspectives and subjectivities. As a whole, the volume contributes to current debates and theory-making in critical memory studies by reflecting on how the changing recollection of transitions constitutes a response to the crisis of memory and time regimes, and how remembering these times as crises renders visible continuities between this past and the present. It is a valuable resource for academics, students, practitioners, and general readers interested in exploring the dynamics of memory in post-authoritarian societies.
The Secret Police and the Soviet System
Even more than thirty years after the dissolution of the Soviet Union, the role of the secret police in shaping culture and society in communist USSR has been difficult to study, and defies our complete understanding. In the last decade, the opening of non-Russian KGB archives, notably in Ukraine after 2015, has allowed scholars to explore state security organizations in ways not previously possible. Moving beyond well-known cases of high-profile espionage and repression, this study is the first to showcase research from a wide range of secret police archives in former Soviet republics and the countries of the former Soviet bloc—some of which are rapidly closing or becoming inaccessible once again. Rather than focusing on Soviet leadership, The Secret Police and the Soviet System integrates the secret police into studies of information, technology, economics, art, and ideology. The result is a state-of-the-art portrait of one of the world’s most notorious institutions, the legacies of which are directly relevant for understanding Vladimir Putin’s Russia today.
Justice, Memory and Redress in Romania
Are there any lessons Romania can teach transitional justice scholars and practitioners? This book argues that important insights emerge when analyzing a country with a moderate record of coming to terms with its communist past. Taking a broad definition of transitional justice as their starting point, contributors provide fresh assessments of the history commission, court trials, public identifications of former communist perpetrators, commemorations, and unofficial artistic projects that seek to address and redress the legacies of communist human rights violations. Theoretical and practical questions regarding the continuity of state agencies, the sequencing of initiatives, their advantages and limitations, the reasons why some reckoning programs are enacted and others are not, and these measures’ efficacy in promoting truth and justice are answered throughout the volume. Contributors include seasoned scholars from Romania, Canada, the United States, and the United Kingdom, and current and former leaders of key Romanian transitional justice institutions.
Technologies for Intuition
"Cold War paranoia can only partly describe or explain the 20th century dreams of telepathy. The nightmare shades of mind control and crowd frenzy have long alternated with the pastels of love and collective effervescence. Both extremes materialized over time, along tangled circuits of wars, events and interactions staged across borders since at least the 19th century. The Cold War and its fences fed fascination with the workings and the failures of contact and communication. Opposed sides accused each other of jamming media and spinning propaganda even while they mirrored fantasies of connection. This book contrasts and connects Russian and American channels and means to check channels, wit...
Abstractionist Aesthetics
An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical...
The Starry Sky Within
The Starry Sky Within is an innovative study of previously unexplored connections between nineteenth-century astronomy and British literature. Nineteenth-century astronomers revealed a staggeringly mobile world extending far beyond the scope of human vision and Henchman examines how this discovery inspired the novelists of the day.
Musical Migration and Imperial New York
"Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institutions to the world-making routes of global migration and exchange, this book seeks to redraw the geographies of experimental art and so to reveal the imperial dynamics, as well as profoundly racialized and gendered power relations, that shaped and continue to shape the discourses and practices of modern music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years (ca. 1957 to 1963), Brigid Cohen's book encompasses a considerably wider range of people and practices than is usual in studies of the music of this period. It looks at a range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Varèse, Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity"--
