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Clinical Psychology
Critique is an essential element of academic study and professional practice. Any theory is only as strong as its ability to withstand critical appraisal. During a 30 year career as a clinical psychologist, researcher and psychological therapies director in the National Health Service (UK), Craig Newnes has published numerous articles and books critiquing psychology in its various manifestations.
PSYCHOTHERAPY
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Counselling and Counselling Psychology
"This book by Colin Feltham, one of the field’s most prominent figures and insider critics, examines fairly but radically the claims and practices of counsellors and counselling psychologists using both macro-critical and micro-critical lenses. Beginning with the deep context of human distress, it sets the scene for key areas for critique, including a focus on the most significant originators of the talking therapy models. The central theoretical concepts of the major approaches are examined afresh in some depth. Components of everyday counselling practice are placed under a critical microscope. Research-based claims are exposed to renewed scrutiny and the professional aspirations of couns...
Building Facade Maintenance, Repair, and Inspection
Combined with ASTM Standard Practice for Periodic Inspection of Building Facades for Unsafe Conditions (E 2270), this new publication provides a rational guide for building owners and governing authorities to help ensure the safety of our aging building infrastructure. Twenty-four peer-reviewed papers, written by experts who bring first hand knowledge and experience to this work, cover faade ordinances; historic buildings; data collection techniques; and repair techniques."
The National Teacher
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Camus
Throughout his life, Albert Camus confronted the central dramas of our civilization: the existential anxiety over "the death of God" and the absurdity of human existence; the political struggles over social injustice, capital punishment, and national liberation; and the international focus on nuclear annihilation, violations of human rights, and torture. Addressing the West at its metaphysical and mythic roots, Camus sought to diagnose the interior forces that seemed to propel humanity toward self-destruction. David Sprintzen offers the first original and comprehensive analysis in English of the thought of Albert Camus from a philosophical perspective. Previous literary and psychoanalytical ...
Bioarchaeological Analyses and Bodies
This volume features bioarchaeological research that interrogates the human skeleton in concert with material culture, ethnographic data and archival research. This approach provides examples of how these intersections of inquiry can be used to consider the larger social and political contexts in which people lived and the manner in which they died. Bioarchaeologists are in a unique position to develop rich interpretations of the lived experiences of skeletonized individuals. Using their skills in multiple contexts, bioarchaeologists are also situated to consider the ethical nature and inherent humanity of the research collections that have been used because they represent deceased for whom there are records identifying them. These collections have been the basis for generating basic information regarding the human skeletal transcript. Ironically though, these collections themselves have not been studied with the same degree of understanding and interpretation that is applied to archaeological collections.
Film and Knowledge
Film has become such an underpinning of art and pop culture that its potential for inspiring serious thought is often overlooked. Our intellectual involvement with film has been minimized as more in the audience want to be merely amazed and entertained. Essays written by both established and cutting-edge philosophers of film concentrate in this work on the value of film in general and the value of certain films in particular for the study and teaching of ideas. The essays explore such topics as the significance of narrative unity for self knowledge in David Lynch's Lost Highway and in Paul Schrader's Affliction; ambiguity and responsibility in Akira Kurosawa's Rashomon; consciousness and cognition in Orson Welles's Citizen Kane; skepticism in Alfred Hitchcock's Suspicion and David Cronenberg's Naked Lunch; language and gender in Neil Jordan's The Crying Game; Platonic idealism in Chris Marker's La Jetee; race in Spike Lee's Summer of Sam; the concept of the imagination in cognitive film theory; and the role of ideology in feminist film theory. Instructors considering this book for use in a course may request an examination copy here.
