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The CSI Effect
CSI has been heralded in many spheres of public discourse as a televisual revolution, its effects on the public unprecedented. The CSI Effect: Television, Crime, and Governance demonstrates that CSI's appeal cannot be disentangled from either its production as a televisual text or the broader discourses and practices that circulate within our social landscape. This interdisciplinary collection bridges the gap between the study of media, particularly popular culture media, and the study of crime. The contributors consider the points of intersection between these very different realms of scholarship and in so doing foster the development of a new set of theoretical languages in which the mediated spectacle of crime and criminalization can be carefully considered. This timely and groundbreaking volume is bound to intrigue both scholars and CSI enthusiasts alike.
Reading 'CSI'
This is what we know, this is the truth: CSI is a global television phenomenon. It began in 2000 with "CSI: Crime Scene Investigation", a dark procedural drama about forensic science set within the neon escapism of Las Vegas, in which Grissom and his team search within the very vitals of the murder victims they investigate. Nearly 17 million viewers tuned in each week and "CSI: Crime Scene Investigation" fast became America's number one show. The success of the series moved it into franchise territory, continuing in 2002 with the body beautifuls and dismembereds of "CSI: Miami" (now the world's biggest television show) and again in 2004 extending the francise to the melancholic noir of post-...
CSI: Crime Scene Investigation: Skin Deep
A retired judge has been found brutally murdered on the outskirts of Las Vegas, complete with a macabre yet masterfully intricate tattoo on his face . . . the third seemingly random victim of the mysterious kidnapper dubbed by law enforcement as the “Tattoo Man.” The judge wasn’t the first person to have been abducted, drugged, and permanently altered with tattoos and body modification . . . but he was the first to wind up dead. At the same time, several other deceased are turning up all over Sin City with their body art mercilessly removed—and the timing would seem to suggest to those in authority that all of these crimes are somehow related. But Las Vegas’s top crime scene investigators—Catherine Willows, Ray Langston, Nick Stokes, Sara Sidle, and Greg Sanders—aren’t jumping to any conclusions, as they attempt to connect the dots by entering the secretive and tight-knit body art community—one that is intensely wary of outsiders. . . .
Reading CSI
Attracting nearly 17 million viewers regularly, CSI: Crime Scene Investigation is America's number one show. With two spin-off series, the CSI franchise has sparked an unprecedented global television success. Reading CSI brings together for the first time critical discussions of all three shows from a wide range of perspectives, with contributions from journalists, television critics and pathology experts. Including a series by series episode guide for each program, this in-depth, comprehensive study seeks to understand what the CSI phenomenon means to contemporary television culture.
CSI: Crime Scene Investigation: Shock Treatment
What happens when a reality TV series gets a true dose of reality? A staged prank for a hit scare show has gone horribly wrong with an actor now dead and production halted indefinitely. As the graveyard shift of Sin City’s best crime scene investigators—including Catherine Willows, Ray Langston, Nick Stokes, Sara Sidle, and Greg Sanders— digs deeper behind the scenes, more questions than answers pile up: Was the botched prank’s set-up simply a case of carelessness on the producers’ part resulting in a tragic accident, or did someone really orchestrate an elaborate scheme for revenge and murder?
CSI In Extremis
Aruthless and expertly trained contract killer is on assignment in Nevada's remote Desert National Wildlife Range... and he deliberately sets in motion a series of seemingly unconnected events that will test the skills of Gill Grissom and his team of CSIs -- Catherine Willows, Nick Strokes, Warrick Brown, Sara Sidle, and Greg Sanders -- to their limits. For all is not as it appears in this federal refuge, as law enforcement and lawbreakers alike are quickly caught up in a growing crime scene that leads to a deadly game of one-upmanship.
Dark Sundays
A lavish penthouse party on top of a Vegas hotel and casino plays host to a bizarre set-up to murder in which a security guard is trapped and killed in a private elevator—and the body soon vanishes . . . leading crime scene investigators Nick Stokes and Greg Sanders straight to an uncanny circus troupe with deadly connections to none other than the Russian mafia. In the meantime, Ray Langston and Catherine Willows are called to a psychiatric facility where two patients have just escaped after attacking an orderly. One of the escaped patients, an Iraq war veteran, managed to smuggle in a military-grade nerve gas, inducing realistic and shared three-dimensional illusions and hallucinations . . . and Ray and Catherine must race against time in order to find two very dangerous individuals now roaming freely on the streets of Las Vegas. . . .
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Body of Evidence
Early one quiet Monday morning, in an empty executive office, assistant Janice Denard begins to prepare for another ordinary day - but instead discovers evidence of horrific crimes, shocking photographs left abandoned in a printer. Now, with the help of the LVPD's computer forensics experts, the CSI team must track through hardware and software, deception and deceit to find the perpetrators. But while Willows and Stokes investigate the once well-hidden secrets now revealed in print, Grissom, Brown, and Sidle uncover new and disturbing evidence in a high-profile media case...the brutal murder of the Mayor's long-missing secretary.
Murder and the Making of English CSI
The authors tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniques--from chain-of-custody procedures to the analysis of hair, blood, and fiber--fundamentally transformed the processing of murder scenes. Focusing on two iconic English investigations--the 1924 case of Emily Kaye, who was beaten and dismembered by her lover at a lonely beachfront holiday cottage, and the 1953 investigation into John Christie's serial murders in his dingy terraced home in London's West End--Burney and Pemberton chart the emergence of the crime scene as a new space of forensic activity.
