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Picturing Argentina: Myths, Movies, and the Peronist Vision
Although Juan Domingo Perón's central role in Argentine history and the need for an unbiased assessment of his impact on his nation's cinema are beyond dispute, the existing scholarship on the subject is limited. In recent decades Argentina has witnessed a revival of serious film study, some of which has focused on the nation's classical movies and, in one case, on Peronism. None of this work has been translated into English, however.This is the first English-language book that offers an extensive assessment of Argentine cinema during first Peronism. It is also the first study in any language that concentrates systematically on the evolution of social attitudes reflected in Argentine movies...
Madness, Love and Tragedy in Nineteenth and Twentieth Century Spain
How do Spanish writers of the 19th and 20th century define and represent madness, a basic and controversial aspect of world culture, and how do the different conceptions of madness intersect with love, religion, politics, and other literary themes in Spanish society? This multi-author book analyzes the theme of madness in formative masterpieces of Spanish literature of the 19th and 20th century through the use of relevant critical and theoretical approaches. In this context, authors studied in this book include Juan Valera, Leopoldo Alas Clarín, Emilia Pardo Bazán, Caterina Albert, Benito Pérez Galdós, Miguel de Unamuno, and Juan Goytisolo, among others.
Días de lluvia
"Writers, publishers, readers and scholars have stopped apologising for the short story: the genre is no longer a bad investment, a trial-exercise for a novel or a minor entertainment, as demonstrated by exceptional writers with an almost exclusive dedication to it, such as Jorge Luis Borges, Alice Munro, Quim Monzâo or Cristina Fernâandez Cubas. With deep roots in classic and medieval literatures, and great achievements in the nineteenth- and twentieth-centuries, the genre of the short story, which benefits from the linguistic tightness of poetry and the narrative comforts of the novel, has finally been recognised as having a (hybrid) identity of its own. This volume re-edits and expands ...
Celestina's Brood
Published in 1499 and centered on the figure of a bawd and witch, Fernando de Rojas' dark and disturbing Celestina was destined to become the most suppressed classic in Spanish literary history. Routinely ignored in Spanish letters, the book nonetheless echoes through contemporary Spanish and Latin American literature. This is the phenomenon that Celestina's Brood explores. Roberto González Echevarría, one of the most eminent and influential critics of Hispanic literature writing today, uses Rojas' text as his starting point to offer an exploration of modernity in the Hispanic literary tradition, and of the Baroque as an expression of the modern. His analysis of Celestina reveals the relen...
Technology, Literature, and Digital Culture in Latin America
Grappling with the contemporary Latin American literary climate and its relationship to the pervasive technologies that shape global society, this book visits Latin American literature, technology, and digital culture from the post-boom era to the present day. The volume examines literature in dialogue with the newest media, including videogames, blogs, electronic literature, and social networking sites, as well as older forms of technology, such as film, photography, television, and music. Together, the essays interrogate how the global networked subject has affected local political and cultural concerns in Latin America. They show that this subject reflects an affective mode of knowledge t...
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Masculinities in Contemporary Argentine Popular Cinema
Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Post-Jungian Criticism
This groundbreaking collection brings the range and diversity of post-Jungian thought into the realm of contemporary literary and cultural criticism. These essays explore, expand, critique, and apply post-Jungian critical theory as they revisit and reread Jung's own writings from numerous perspectives. No longer treated as a source of clear, unequivocal, authoritative pronouncement, Jung's writings are themselves subjected to critical, deconstructive readings, and several of the essays confront head-on Jung's evident racism, antifeminism, anti-Semitism, and political conservatism. While not downplaying such charges, the contributors outline an alternative, post-Jungian theory responsive to contemporary feminist, postcolonial, and poststructural concerns. The result is not just a critical reinterpretation but, more important, a regeneration of Jungian thought.
The Gothic Fiction of Adelaida García Morales
By highlighting features common to the Gothic classics and the works of Adelaida García Morales, this monograph aims to put the Gothic on the map in Hispanic Studies. The Gothic as a literary mode extending well beyond its first proponents in eighteenth-century England is well established in English studies but has been strangely under-used by Hispanists. Now Abigail Lee Six uses it as the paradigm through which to analyse the novels of Adelaida García Morales; while not suggesting that every novel by this author is a classic Gothic text, she reveals certain constants in the work that can be related to the Gothic, evenin novels which one might not classify as such. Each of the novels studi...
Catholic Iconography in the Novels of Juan Marsé
The prize-winning novelist Juan Marsé, born in Barcelona in 1933, is widely-read not only within Spain but also in translation, for his often provocative portrayals of life in post-war Barcelona. Clark's study discusses Marsé's engagement with Catholic popular culture, Spanish National Catholicism and Catalan Catholic Nationalism, exploring his subversion of iconic imagery as an ironic sub-textual commentary on political ideology, by which he is able to experiment with outer reality and inner reconstructions of experience. Dr Clark shows how religious and profane visions of love are subtly intertwined, how the tales told by children and the novel form itself are interrelated, and finally how a variety of biblical topoi, ranging from the Garden of Eden to the Song of Songs, are deployed in Marsé's fiction. Particular attention is paid to La oscura historia de la prima Montse, Si te dicen que ca and Im genes y recuerdos. -- Amazon.com.
