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Presents contemporary reflections of Chinese and Western philosophers who explore issues of common interest in aesthetics focused on interrelations of philosophy, art and ethics East/West. Chinese authors connect knowledge of western philosophical aesthetics to grounding in their own Chinese traditions. Western aestheticians explore common ground between western and eastern aesthetics.
History and System represents the first contemporary volume on Hegel's philosophy of history to be published in English. The editor notes that "with the possible exceptions of Augustine and Vico, no philosopher before Hegel had such a deep sense of the mutual penetration of history and philosophy as did Hegel. Historical reflection influenced his reading of other philosophers and philosophical reason penetrated his views of past events and eras." Reflecting the best of Hegelian scholarship, the papers here focus on the sources of Hegel's philosophy of history, its internal structure and relation to other parts of his system, analyses of specific aspects of his philosophy of history, and its influence on subsequent thinkers. In its breadth and depth, the volume attests to the continued and growing importance of Hegel's thought for contemporary philosophy.
In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.
As a new trend in aesthetics appearing concurrently in the West and the East in the last ten years, the aesthetics of everyday life points to a growing diversification among existing methodologies for pursuing aesthetics, alongside the shift from art-based aesthetics. The cultural diversity manifest in global aesthetics offers common ground for the collaborative efforts of aesthetics in both the West and the East. Given the rapidly growing interest and its potential for attracting new audiences extending beyond the more narrowly focused traditions of twentieth-century analytic and environmental aesthetics, it stands to command its own share of attention in the future of aesthetic studies. Th...
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
This is a multidisciplinary study of the rhythms depicted in abstract art, the body's rhythms, and neural oscillations.