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Mozart and His Piano Concertos
  • Language: en
  • Pages: 514

Mozart and His Piano Concertos

Classic of music criticism provides detailed studies of 23 of Mozart's piano concertos, offering 417 musical examples and authoritative information on the works' form, tone, style, and balance.

Bajazet
  • Language: en

Bajazet

  • Type: Book
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  • Published: 1955
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  • Publisher: Unknown

None

Bajazet. Edited by Cuthbert Girdlestone
  • Language: en
  • Pages: 83

Bajazet. Edited by Cuthbert Girdlestone

  • Type: Book
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  • Published: 1955
  • -
  • Publisher: Unknown

None

Musical Humanism and Its Legacy
  • Language: en
  • Pages: 562

Musical Humanism and Its Legacy

None

Beyond Exoticism
  • Language: en
  • Pages: 323

Beyond Exoticism

In Beyond Exoticism, Timothy D. Taylor considers how western cultures’ understandings of racial, ethnic, and cultural differences have been incorporated into music from early operas to contemporary television advertisements, arguing that the commonly used term “exoticism” glosses over such differences in many studies of western music. Beyond Exoticism encompasses a range of musical genres and musicians, including Mozart, Beethoven, Jean-Philippe Rameau, Maurice Ravel, Charles Ives, Henry Cowell, Bally Sagoo, and Bill Laswell as well as opera, symphony, country music, and “world music.” Yet, more than anything else, it is an argument for expanding the purview of musicology to take i...

Style and Performance for Bowed String Instruments in French Baroque Music
  • Language: en
  • Pages: 294

Style and Performance for Bowed String Instruments in French Baroque Music

  • Type: Book
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  • Published: 2016-04-01
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  • Publisher: Routledge

Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the...

Messiaen's Musical Techniques: The Composer's View and Beyond
  • Language: en
  • Pages: 224

Messiaen's Musical Techniques: The Composer's View and Beyond

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joi...

Opera in the Age of Rousseau
  • Language: en
  • Pages: 437

Opera in the Age of Rousseau

Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.

The Romance of the Fungus World
  • Language: en
  • Pages: 378

The Romance of the Fungus World

Mankind has always had a love-hate relationship with fungi. On the positive side, edible mushrooms and truffles are gastronomic delights, and certain fungi possess medicinal properties. On the other hand, many mushrooms are poisonous, and fungi can inflict costly damage on crops and other property. This captivating book explores both sides of the story, examining aspects usually overlooked in texts and field guides. The survey begins with fungi lore from mythology and legends, focusing particularly on the plants' association with devils, witches, and fairies. A balanced portrait of fungi in the real world considers not only the ruin caused by the plants but also their uses in medicine and industry and as foods. Ranging far and wide in its topics, the narrative offers a light touch and plenty of enthusiasm, making this book fun for everyone with even a casual interest in mushrooms. In addition, serious mushroom hunters will find this volume a practical reference and a fascinating resource for leisurely browsing.

Essays on the Performance of Baroque Music
  • Language: en
  • Pages: 345

Essays on the Performance of Baroque Music

In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French oper...