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Anybody
The widespread practice of psychoanalysis, the development of genetic engineering, and the raised consciousness of the female body have altered not only the traditional idea of body but also of how we inhabit the body, and hence make and inhabit space. How does the new understanding of the body relate to space? How does architecture adjust to this new idea of body? When does the body become the body politic? In Anybody, these and other questions are argued by thirty essayists.
Anyplace
Anyplace brings together a number of the world's leading architects, philosophers, artists, historians, critics and others in a volume that represents current thinking on the place of architecture in relationship to thought, politics, art, science and the developing technological realm of cyberspace.
Anytime
Architects, artists, and intellectuals address architecture's relationship to space and time in this latest addition to the series that began with Anyone.Architecture functions between tradition and innovation, between historical archetypes and that which as yet has no form. This historicity and concurrent openness to futurity are two of the subjects discussed in Anytime, which probes architecture's relationships with space and time. After a section called Beginnings, in which ten young architects address rupture, change, and movement, the book is organized into five sections: Trajectories, The Collapse of Time, (M)anytimes, Futures, and Rethinking Space and Time. ContributorsAkira Asada, Hu...
Log 42
"The baggage that phenomenology carries with it in architectural discourse is weighty," writes guest editor Bryan E. Norwood in Log 42. "This issue of Log aims to lighten the load, or at the very least redistribute it." Subtitled "Disorienting Phenomenology," the thematic 204-page Winter/Spring 2018 issue presents 18 essays by philosophers, theorists, art and architectural historians, and architects that range from Mark Jarzombek's close reading of the first three sentences in Husserl's Ideas: General Introduction to Pure Phenomenology to Caroline A. Jones's historical analysis of phantom phenomena in Doug Wheeler's work Synthetic Desert; from Charles L. Davis's speculations on an architectu...
Eisenman Architects
In both these respects, Peter Eisenman differs not only from other architechts of his own generation, but from nearly all other architects working today.
Legacies for the Future
Presents the recipients of the 1998 Aga Khan Award for Architecture.
Anymore
Artists, critics, and philosophers ask what more architecture can do. At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in Anymore are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhas, Rosalind Krauss, Ignasi de Solà-Mor...
Architecture Beyond Architecture
This volume features the projects entered for the 1995 Aga Khan Award for Architecture. An introductory chapter discusses the award and explores spirituality in buildings and contemporary society. The book includes descriptions of the winning designs in Yemen, Tunisia, Pakistan, Senegal and India. Contributors include Charles Jencks, Peter Eisenman and Frank Gehry.
Tracing Eisenman
Perhaps more than any other architect practicing today, Peter Eisenman has made a career out of devising a dialectic of oppositions in architecture. With references to societal alienation and existing architectural forms, his work derives much from Friedrich Nietzsche, Noam Chomsky, and Jacques Derrida. He led the loosely knit group of architects known as "The New York Five" (which included John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier), who made an effort to introduce a theory and artistry of modernist architecture as rigorous as that of the European avant-garde. This is the first comprehensive single-volume overview ever published on Eisenman's buildings and projects, fr...
Log 48
"The center of architecture is shifting and cannot hold," writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents "an invitation to think differently, a chance to reask the questions that haunted the 20th century." The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, "What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than n...
