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Für die baltischen Länder ist Bildung ein Schlüsselthema, das ihre Geschichte und ihr Selbstverständnis sowohl im Hinblick auf die Fremdbestimmung als auch auf die eigene Staatenbildung betrifft. Im Zuge von Handelskontakten, Christianisierung, Ordenskriegen und Rechtsimport gerieten die autochthonen Völkerschaften des baltischen Raums unter kulturelle, sprachliche und politische Einflüsse unterschiedlichen Gewichts. Sie waren dadurch zum Teil gewaltvollen Formierungsprozessen ausgesetzt. Im vorliegenden Band wird das Baltikum in Geschichte und Gegenwart aus der Perspektive eines weit gefassten Bildungsbegriffs untersucht. Die Beiträge stammen aus der Feder von Wissenschaftlerinnen und Wissenschaftlern aus Estland, Lettland, Litauen und Deutschland, insbesondere der Germanistik, aber auch der Geschichte, Bildungsgeschichte, Rechtsgeschichte, Slavistik und Komparatistik. Der Band zeigt wesentliche Aspekte der baltischen Bildungsgeschichte und ihrer Narrationen an beispielhaften Analysen und Fallstudien für alle drei baltischen Länder auf.
A groundbreaking essay collection that pursues the rise of geoculture as an essential framework for arts criticism, The Planetary Turn shows how the planet—as a territory, a sociopolitical arena, a natural space of interaction for all earthly life, and an artistic theme—is increasingly the conceptual and political dimension in which twenty-first-century writers and artists picture themselves and their work. In an introduction that comprehensively defines the planetary model of art, culture, and cultural-aesthetic interpretation, the editors explain how the living planet is emerging as distinct from older concepts of globalization, cosmopolitanism, and environmentalism and is becoming a new ground for exciting work in contemporary literature, visual and media arts, and social humanities. Written by internationally recognized scholars, the twelve essays that follow illustrate the unfolding of a new vision of potential planetary community that retools earlier models based on the nation-state or political “blocs” and reimagines cultural, political, aesthetic, and ethical relationships for the post–Cold War era.
A Companion to Comparative Literature presents a collection of more than thirty original essays from established and emerging scholars, which explore the history, current state, and future of comparative literature. Features over thirty original essays from leading international contributors Provides a critical assessment of the status of literary and cross-cultural inquiry Addresses the history, current state, and future of comparative literature Chapters address such topics as the relationship between translation and transnationalism, literary theory and emerging media, the future of national literatures in an era of globalization, gender and cultural formation across time, East-West cultural encounters, postcolonial and diaspora studies, and other experimental approaches to literature and culture
‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.’ – Patrice Pavis, from the foreword Contemporary Mise en Scène is Patrice Pavis’s masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers: the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classi...
Approaching Romanian literature as world literature, this book is a critical-theoretical manifesto that places its object at the crossroads of empires, regions, and influences and draws conclusions whose relevance extends beyond the Romanian, Romance, and East European cultural systems. This “intersectional” revisiting of Romanian literature is organized into three parts. Opening with a fresh look at the literary ideology of Romania's “national poet,” Mihai Eminescu, part I dwells primarily on literary-cultural history as process and discipline. Here, the focus is on cross-cultural mimesis, the role of strategic imitation in the production of a distinct literature in modern Romania, and the shortcomings marking traditional literary historiography's handling of these issues. Part II examines the ethno-linguistic and territorial complexity of Romanian literatures or “Romanian literature in the plural.” Part III takes up the trans-systemic rise of Romanian, Jewish Romanian, and Romanian-European avant-garde and modernism, Socialist Realism, exile and émigré literature, and translation.
A collection of Venclova's literary/political essays and lectures on post-World War II Eastern European cultural matters.
Ubersfeld show how formal analysis can enrich the work of theatre practioners and offers a reading of the symbolic structures of stage space and time as well as opening up mulitple possibilities for interpreting a play's line of action.
The existence of World Literature depends on specific processes, institutions, and actors involved in the global circulation of literary works. The contributions of this volume aim to pay attention to these multiple material dimensions of Latin American 20th and 21st century literatures. From perspectives informed by materialism, sociology, book studies, and digital humanities, the articles of this volume analyze the role of publishing houses, politics of translation, mediators and gatekeepers, allowing insights into the processes that enable books to cross borders and to be transformed into globally circulating commodities. The book focusses both on material (re)sources of literary archives, key actors in literary and cultural markets, prizes and book fairs, as well as on recent dimension of the digital age. Statements of some of the leading representatives of the global publishing world complement these analyses of the operations of selection and aggregation of value to literary texts.
A Heidegger Dictionary enables the student to read Heidegger's immensely rich and varied works with understanding, and assigns him to his rightful place in both contemporary philosophy and in the history of the subject.
Levas Ciparis, the anti-hero of this masterly critique of life in the late Soviet Union, is a man alone and he desperately wants to belong. He is obstructed in this quest by his own innocence and decency, which occasionally cause him to act with absurd inflexibility. In fact, the irresolvable tension between moral probity and necessary compromise is one of the many themes of this novel: "Yes, I truly did believe, being an honest, sufficiently pure and persistent person, that if I took up the work of the Komsomol, I would most certainly be capable of changing and enriching that community." In part, the first-person narration describes the process of being disabused of that delusion. Ciparis i...