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The book 'I am a Prince' is an inclusive LGBTQIA+ friendly, heartfelt story about a Prince struggling to express his gender to his parents. This book introduces children to the emotions and family dynamic of gender diversity, It is a great way to introduce the topic to a child. This is for all the queer youth, and trans kids of color. We see you. We hear you. You are valid and loved.Learn More at: https: //www.iamaprincebook.com/
Spanning the globe and thousands of years, Queer Mythology highlights the legends and tales of LGBTQIA+ gods, heroes, spirits and more. Myths and legends tell our stories. They connect us and show us not only who we are, but also reflect the people during the time the stories were first told. And LGBTQIA+ people have been a part of every community since the dawn of storytelling. From Tu’er Shen, the Chinese rabbit god who protected those yearning to come out in an unaccepting world, to Ghede Nibo, the Haitian spirit who performed drag in the realm of the dead, the twenty myths told in this collection capture one irrefutable fact—even as labels, language, and definitions have changed, LGBTQIA+ people have always existed. Some of these myths are not widely known. Others are myths that you may think you know, but over time their inherent queerness has been erased. Queer Mythology offers fresh retellings, paired with beautiful illustrations, to give new life and celebrate the inspirational and resilient LGBTQIA+ community in some of humanity’s earliest tales.
Containing contributions from both academic experts and practitioners, and from economic and legal experts, this book explores the use of economics in international economic law.
On New Years Eve 1993, Viv Graham's life came to a violent end. This book recounts his life and his involvement with the Geordie Mafia. It presents an insight into Tyneside and Teeside's criminal underworld, as well as detailing kneecappings, shootings, drug dealing, protection rackets, and more.
Translation and film adaptation of theatre have received little study. In filling that gap, this book draws on the experiences of theatrical translators and on movie versions of plays from various countries. It also offers insights into such concerns as the translation of bilingual plays and the choice between subtitling and dubbing of film.
Identity, fame, net worth. Go ahead, judge a book by its cover. It's not every day that a Hollywood publicist gets hit by a car. Melissa Meszaros is on her way to a Judas Priest concert when the accident happens. The traumatic brain injury she sustains changes everything. Her life is turned upside down. Her steady job as publicist and trusted friends and colleagues are called into question. Even her own reflection staring back at her from the mirror seems alien. As she navigates the legal and medical battles before her, Melissa also begins to challenge her own fractured self. For a publicist, identity is everything. What begins as a series of snapshot memories soon becomes an inspiring personal tale of recovery, as Melissa questions both her own identity and her career. What does it mean to suddenly disappear from a rock’n’roll lifestyle when your whole professional life has been dedicated to making others famous? Heavy Metal Headbang is a defiant memoir like no other, confronting our celebrity-obsessed culture as well as the social challenges that come with recovering from a life-changing injury.
In this book, López proposes the ‘political imaginary’ model as a tool to better understand what human rights are in practice, and what they might, or might not, be able to achieve. Human rights are conceptualised as assemblages of relatively stable, but not unchanging, historically situated, and socially embedded practices. Drawing on an emerging iconoclastic historiography of human rights, the author provides a sympathetic yet critical overview of the field of the sociology of human rights. The book addresses debates regarding sociology’s relationships to human rights, the strengths and limits of the notion of practice, human rights’ affinity to postnational citizenship and cosmopolitism, and human rights’ curious, yet fateful, entanglement with the law. Human Rights as Political Imaginary will be of interest to students and scholars across a range of disciplines, including sociology, politics, international relations and criminology.
Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.