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A SUNDAY TIMES BESTSELLER 'Cussler is hard to beat' Daily Mail The gripping Dirk Pitt classic from multi-million-copy king of the adventure novel, Clive Cussler. For the President of the United States, the crisis point is approaching fast. With his new Soviet initiative entering its most crucial phase, the President suddenly finds himself faced with a pollution disaster of potentially cataclysmic proportions. And then - incredibly - he vanishes into thin air, leaving his country poised on the brink of chaos. It's left to troubleshooter extraordinaire Dirk Pitt to hotwire the connections between these two shattering events. From the icy Alaskan waters to a Korean shipbreaker's yard; from a Caribbean shipwreck to a blazing inferno in the Mississippi Delta, he tracks down a conspiracy so fiendish and sophisticated that even the superpowers are helpless in its grip . . . 'Clive Cussler is the guy I read' Tom Clancy 'The Adventure King' Daily Express
The adaptation of literary works to the screen has been the subject of increasing, and increasingly sophisticated, critical and scholarly attention in recent years, but most studies of the subject have continued to privilege literature over film by taking the literary sources as their starting point. Rather than examining the processes by which a particular author has been adapted into a diversity of films by different filmmakers, the contributors in Hitchcock at the Source consider the processes by which a varied range of literary sources have been transformed by one filmmaker into an impressive body of work. Throughout his career, Alfred Hitchcock transformed a variety of literary sourcesâ...
#1 New York Times bestselling author Clive Cussler delivers another swashbuckling NUMA adventure featuring a financier turned treasure hunter who vanishes mysteriously—and only Dirk Pitt can prevent an international incident that threatens to start a war. A wealthy American financier disappears on a treasure hunt in an antique blimp. From Cuban waters, the blimp drifts toward Florida with a crew of dead men—Soviet cosmonauts. Dirk Pitt discovers a shocking scheme: a covert group of US industrialists has put a colony on the moon, a secret base they will defend at any cost. Threatened in space, the Russians are about to strike a savage blow in Cuba—and only NUMA’s Dirk Pitt can stop them. From a Cuban torture chamber to the cold ocean depths, Pitt is racing to defuse an international conspiracy that threatens to shatter the earth!
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Alfred Hitchcock's Psycho: A Casebook 'brings together critical essays on this influential and teachable film. The essays not only elaborate on the complexities of the film, but represent the spectrum of film criticism, including an analysis of its music and close readings illustrated by many stills from the film.
When the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine. In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to t...
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.
Considers how dangerous beasts in horror films illuminate the human-animal relationship. It’s always been a wild world, with humans telling stories of killer animals as soon as they could tell stories at all. Movies are an especially popular vehicle for our fascination with fierce creatures. In Brute Force, Dominic Lennard takes a close look at a range of cinematic animal attackers, including killer gorillas, sharks, snakes, bears, wolves, spiders, and even a few dinosaurs. Lennard argues that animal horror is not so much a focused genre as it is an impulse, tapping into age-old fears of becoming prey. At the same time, these films expose conflicts and uncertainties in our current relation...