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Salvage at Twilight
The poet - a man of the world in the widest sense - reflects and in reflection relives the intense experiences that shaped him and that have shaped our modern world. Salvage at Twilight ends with 'Deposition', a harrowing elegy in five parts: the beloved endures 'her Nile of pain'; the lover attends as she is treated, the last scene postponed until the two selves are quite differently refined. His editor has written, 'Dan Burt's poetry, like his prose, explores themes unusual in contemporary literature, using a language that is precise, nuanced and mordant. And he risks traditional forms, his sonnets and quatrains mastered and masterful.'
We Look Like This
We Look Like This anatomizes how history, violence, power, lust and mortality at work on us. Burt's formal, muscular language evokes war, want, cruelty and hope, and a childhood among tough Jews' in Philadelphia, dominated by his father Joe, son of Ukrainian immigrants, butcher, boxer and, last, coastal fisherman.
Certain Windows
Certain Windows is Dan Burt's second chapbook collection. It includes poems, sequences and the title prose, a vivid memoir evoking a harsh formative world.Ampng others, the poet's father comes alive here in the poems, a powerful, hard and sympathetic figure with the wisdom of the man of action.
Every Wrong Direction
Every Wrong Direction recreates and dissects the bitter education of Dan Burt, an American emigré who never found a home in America. It begins in the row homes of Jewish immigrants and working-class Italians on the mean streets of 1950s South Philadelphia. Every Wrong Direction follows the author from the rough, working-class childhood that groomed him to be a butcher or charter boat captain, through America, Britain, and Saudi Arabia as student, lawyer, spy, culture warrior, and expatriate, ending with a photo of his college rooms at St John's College, Cambridge. Between this beginning and end, through a Philadelphia commuter college, to Cambridge, then Yale Law School, across the working to upper classes, three countries, and seven cities over forty three years, it maps his pursuit of, realisation, disillusionment with, and abandonment of America and the American Dream.
Searched for Text
Reflecting the experiences of a rich and varied life, this collection of poems challenges traditional notions of form and combines intensely personal and multicultural themes. The elegies are political and unsentimental, and the historical poems imitate a painful Jewish childhood. The poet explores his growing love of England after growing up in America, offering observations about what it means to always be a bit uneasy at home.
Burt Rutan's Race to Space
The author of SpaceShipOne chronicles the significant achievements of the Ansari X Prize-winning aerospace innovator, offering insight into his pioneering vision for enabling space exploration and the processes of his history-making designs, including Voyager and SpaceShipTwo.
You Can Paint Vibrant Watercolors
Follow along with 11 complete painting demonstrations to learn effective techniques for keeping your colors bright and beautiful!--Jacket.
Regarding Venue
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Beyond Malice
The national news media, as now practiced, were born in the 1950s, revealed their strength in the 1960s (Vietnam), asserted it in the 1970s (Watergate), and were hammered for it in the 1980s. By the mid- and late 1980s, after historic libel suits, with the press knocking off presidential candidates and Supreme Court nominees, unraveling the Reagan presidency, and in a position to overwhelm any individual or institution, a new era in press-public tension had arisen from the depths of America's civic religion: fair play.In this account of the media mandarins' rise to uneasy domination, Richard M. Clurman gives an intimate critical report of the media in the 1980s, the stormiest years in press ...
