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Catalog accompanies exhibition which documents painting on cloth and paper and explores themes such as portraiture, book illustration, and religious and literary texts. An overarching theme is the stylistic relationship between Mughal and Rajput painting. The miniature paintings are a feast for the eye, opulent in color yet delicately sensuous.
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The authors in this volume analyze the rich layers of circulation and exchange of art, architecture, and literature within South Asia from the sixteenth through the twentieth centuries, focusing on the interaction of Muslims and Islamic traditions with other people and traditions there.
Authority, Anxiety, and Canon elucidates a principle fundamental to Hinduism's self-understanding--the Veda--while at the same time examining the methodological issues of the role of canon in religious tradition. Spanning the early periods of Indian religious history up to the twentieth century, the book combines theoretical sophistication and detailed scholarship to produce one of the first comprehensive works on Vedic interpretation since Louis Renou's Le Destin Du Veda.
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Papers presented at a conference held June 1978 at Harvard University, sponsored by the Center for the Study of World Religions.
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the...