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Edge of Order
  • Language: en
  • Pages: 322

Edge of Order

A stunning tour of the work of internationally known architect Daniel Libeskind and an investigation of a master artist's creative process. Daniel Libeskind is one of the foremost architects of our time, a self-proclaimed rebel celebrated for innovative, site-conscious designs, including the Jewish Museum Berlin and New York's World Trade Center Redevelopment. He has also emerged as one of architecture's most visible public ambassadors. In Edge of Order, Libeskind opens the door to his unique creative process, guiding us through a selection of his projects never before collected--both built and unrealized, major commissions and unexpected favorites--and revealing how he arrived at their desi...

Counterpoint
  • Language: en

Counterpoint

Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world—major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work—he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated archite...

Jewish Museum Berlin
  • Language: en
  • Pages: 134

Jewish Museum Berlin

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

None

Daniel Libeskind
  • Language: en

Daniel Libeskind

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

None

Daniel Libeskind, Radix-Matrix
  • Language: en
  • Pages: 178

Daniel Libeskind, Radix-Matrix

Daniel Libeskind represents a unique attempt to provide a comprehensive critical analysis of Libeskind's architecture and philosophy. Libeskind serves as the mediator of his own work, exploring various projects through an illuminating juxtaposition of textual commentary with illustrations of competition models, concept drawings, and site photos of realized works. Essays by Jacques Derrida and Mark C. Taylor, among others, provide a critical analysis of Libeskind's architecture, identifying his place within the context of contemporary architecture and theory. The book concludes with a collection of Libeskind's most important essays, many of which are published here in English for the first time.

Daniel Libeskind
  • Language: en
  • Pages: 152

Daniel Libeskind

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

Om arkitekten Daniel Libeskind født 1946

Counterpoint: Daniel Libeskind
  • Language: en
  • Pages: 404

Counterpoint: Daniel Libeskind

  • Type: Book
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  • Published: 2008-10-30
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  • Publisher: Birkhäuser

Author Paul Goldberger, of international renown, documents all of Libeskind‘s high-profile projects such as the Jewish Museum in Berlin and the Royal Ontario Museum in Toronto. Highly attractive object with exclusive graphic design.

Daniel Libeskind
  • Language: en
  • Pages: 72

Daniel Libeskind

Scarcely any other contemporary building has been the focus of so much attention and heated discussion as the Jewish Museum in Berlin. This guide to the museum's architecture sheds light on its symbolism as well as on the philosophy behind it. The historic and social significance of this museum extends far beyond the bounds of the city. Its already famous zigzag structure challenges the very way we regard architecture.

Daniel Libeskind in Deutschland / in Germany
  • Language: en
  • Pages: 112

Daniel Libeskind in Deutschland / in Germany

  • Type: Book
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  • Published: 2016-10-31
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  • Publisher: Unknown

None

Jewish Museum
  • Language: en

Jewish Museum

Designed in the second half of the 90s, the Jewish Museum in Berlin opened in September 2011.The modern architectural elements of the Libeskind building comprise the zinc façade, (described as “An irrational and invisible matrix”), the Garden of Exile (which attempts “to completely disorient the visitor [and] represents a shipwreck of history”), the three Axes of the German-Jewish experience, and the Voids (which refer to “that which can never be exhibited when it comes to Jewish Berlin history: Humanity reduced to ashes”).Together these pieces form a visual and spatial language rich with history and symbolism. In the words of the architect: “The official name of the project is ‘Jewish Museum’ but I have named it ‘Between the Lines’ because for me it is about two lines of thinking, organization, and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.” In some way, Libeskind imagines the continuation of both lines throughout the city of Berlin and beyond.