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2023 Midwest Book Award Winner 2023 Next Generation Indie Book Awards Finalist Darius Simpson’s debut collection Never Catch Me centers on Black boyhood in the midwest and familial disintegration over time. Simpson pulls back the curtain, exposing the violence enacted against and upon, Black bodies, and yet, still, each poem is saturated in revolution and hope. Never Catch Me is the anthem necessary to organize a community that is committed to a better right now–one that can only be achieved with an intensity and action that goes far beyond the page.
WASH brutally dissects black womxnhood for all its blood, beauty, sacrifice and strength. Ebony Stewart’s praise and pleas for the lives of black womxn create a devotional space for healing. Stewart’s third collection is uncompromising and emotionally raw. Through trauma and recovery, black girlhood comes of age in WASH, journeying through moments of self-discovery, mental illness, love and heartbreak. Stewart reckons traditional definitions of womxnhood, exploring its complications, its communities, and its queerness. With a distinct, lyrical poetic voice, WASH tells a story of queer, black womxnhood that perseveres. A collection that will bring you to tears and brighten your day, Ebony Stewart’s WASH cannot be missed!
In its five year anniversary edition, Topaz Winters’ Portrait of My Body as a Crime I’m Still Committing returns with ten new poems, a revised body of work, & a foreword by bestselling author Blythe Baird. An examination of desire as religion, food as compulsion, & illness as a gut reflex in the face of girlhood’s little violences, Portrait haunts the landscape of self-mythology & cuts straight into its own marrow. This book is a howl in the night, a fracture through the dark, as omnivorous & revelatory today as it was five years ago. “Must I say it to survive?” asks its speaker, balanced on the knife’s edge between confessional & manifesto. “Then I will.”
Conversion Theory is the first-ever published poetry collection of Darius Simpson, award-winning spoken word artist, writer, and social justice activist. This book is a reflection of how Darius has come to experience the United States and its relation to direct action, culture, community, and creative work of African Americans. Since 2014, specifically the murder of Mike Brown and the rebellion that followed, there had been emphasis in media coverage on police brutality and the string of non-indictments which were never far behind. Conversion Theory highlights many of these injustices while intertwining simple truths of what it has always meant to be black in the U.S. With the use of personal stories, persona poems, and historical facts, Darius brings the ugly truths to light while encouraging us all to continue in our pursuit of "justice for all". In some imaginative and some literal ways each poem stands as a demand in exchange for the peace which is so often stipulated on black brown voices of dissent.
Sean Patrick Mulroy’s Hated for the Gods invites the reader to embrace their queer heritage with disarming tenderness, and urges them to celebrate the joy of gay sex without shame. Plaintive and joyous, sexy and ferocious—often all at once—Hated for the Gods is as much a call to action as it is a work of literature. Gorgeously rendered and skillfully constructed both to educate and inspire, Sean Patrick Mulroy’s poetry weaves together stories from his coming of age in the American South of the 1990s with the broader history of gay men in America. The result is a politically radical text that will leave you shocked with all you didn’t know about the history of queer people, and surprised by what you already knew but never could articulate. A world-renowned poet and award-winning scholar, Mulroy’s work exists in a lineage of fearless gay literature; from Shakespeare to Siken, Genji to Ginsberg. Masterfully intricate, yet effortlessly approachable, by turns hopeful and incendiary, Hated for the Gods, is a must-read for the LGBT+ community and their loved ones.
Tartarus marks author Ty Chapman’s bold entrance into poetry. Between three sections of Basquiat-inspired vignettes, Tartarus offers the reader an unflinching look into Chapman’s emerging understanding of his relationship to Black masculinity through familial ties, the oscillation between nihilism and hope, and the ever present tensions felt moving through a state which sees the existence of your body as an inherent danger.
Neil Hilborn returns with the poignant and profound collection About Time. Balancing between devastation and perseverance, About Time shares the struggle to maintain mental health during the recent global crises. With his distinctly conversational tone and dark humor, Hilborn breaks down the cycle of mental illness–small improvements, setbacks, and the process of recovery. This collection fights against itself as the poems try to find a place for hope, love, and goodness in a lonely, terrifying world–ultimately, inspiring belief in and connection to all the small joys that we can find. Fans new and old will be stunned by Hilborn’s third collection. Continuing in the legacy of his previous works, About Time is hot soup for the troubled soul and absolutely cannot be missed.