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Darren Aronofsky’s Films and the Fragility of Hope
Darren Aronofsky's Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including Pi (1998), Requiem for a Dream (2000), The Fountain (2006), The Wrestler (2008), Black Swan (2010), and Noah (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history. Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an in...
Bodies in Pain
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
The Fountain
What if you could live forever?The Fountainis an odyssey about a man's thousand-year struggle to save the woman he loves. In three separate lives-Tomas the conquistador, Tommy the scientist, and Tom the explorer-Thomas is driven to discover the mysteries of life; all three stories converge into one truth as he comes to terms with life, death, love, and rebirth. The book is an extension of Aronofsky's cinematic vision, and will contain production stills of the film's stars Hugh Jackman and Rachel Weisz, original script, original art, and observations from creators Ari Handel and Darren Aronofsky. Edited by Darren Aronofsky,The Fountainis not so much a tie-in or a behind-the-scenes look at the film, but rather a thoughtful meditation on the film's provocative themes of life and death and its singular visuals.
Noah
A man is chosen by God to undertake a momentous mission of rescue before an apocalyptic flood destroys the world.
Darren Aronofsky's Noah
The film book tie-in for what will be the most talked-about film of spring 2014: Darren Aronofsky's Noah, starring Russell Crowe, Jennifer Connelly, and Anthony Hopkins. Following on the heels of his successful film Black Swan, celebrated filmmaker Darren Aronofsky turns his talent to the epic big-budget biblical tradition with his film Noah, starring Award-winners¨ Russell Crowe, Jennifer Connelly, and Anthony Hopkins, as well as Emma Watson, Logan Lerman, and Ray Winstone. Russell Crowe stars as Noah, a man chosen by God for a great task before an apocalyptic flood destroys the world. The film touches on themes found throughout Aronofsky's work-the dichotomy of life/death, inner turmoil, otherness-presented with Aronofsky's singular and compelling aesthetic. Noah is an extension of Aronofsky's otherworldly sensibilities; it showcases art from the film and the director at work and is a must-have for fans of Aronofsky and of cinema everywhere.
The Wrestler
Darren Aronofsky's The Wrestler is an insightful behind-the-scenes meditation on the film's provocative characters and the choices they make. Once a hugely successful WWF wrestler, Randy the Ram now ekes out a living performing for diehard wrestling fans from the 1980s in high school gyms and community centers around New Jersey. But when he suffers a heart attack, Randy's doctor tells him he needs to lay off the steroids and stop wrestling altogether. Forced out of show business, Randy begins to evaluate the state of his life. But the pull of the spotlight is too strong and he attempts once again to find his way back into the ring. Featuring actors Mickey Rourke, Academy award-winning Marisa Tomei, and Evan Rachel Wood, this book is an extension of Aronofsky's filmic vision, and will contain film stills, the original shooting script, still photos, original art, and observations by its creators, cast, and crew.
Mother Making the Fever Dream - O/P
Equal parts visual chronicle and artful scene study, mother! The Making of the Fever Dream recounts Darren Aronofsky's spellbinding second half of mother!, and how it was constructed, with corresponding screen grabs, behind-the-scenes photography, script cues, and the annotated maps of his shot list. mother! The Making of the Fever Dream is a deep dive into an auteur's process about the heavily talked-about film mother! and its Bosch-like riveting sequence. From Aronofsky (Black Swan, Requiem for a Dream), mother! is the filmmaker's newest polarizing offering, a psychological horror film with small nods to Roman Polanski, Luis Bunuel, and David Cronenberg, but is wholly Aronofsky's original ...
Flicker
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the ...
Noah as Antihero
This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. It will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.
