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Try Giving Yourself Away
No reader needs to be reminded that the world is full of strife and heartache. Man and women everywhere seek peace of mind and heart, and wish desperately that they as individuals could do something toward lifting the heavy blanket of gloom that oppresses mankind. You and I can help! More than anything else, the world needs the healing influence of a great surge of simple thoughtfulness and kindheartedness. Such a surge is beyond the world's greatest rulers or statesmen. It must start with us, as individuals. I invite you to join me in my hobby.....
Try Giving Yourself Away
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
How to be an Outstanding Primary School Teacher
This book features lots of easy-to-introduce activities and techniques that will propel satisfactory and good lessons into the outstanding category - not just when being observed, but all the time. And the best news? This book tells you how to do it without spending lots more time planning, researching and preparing 'out of this world' lessons. There are dozens of starters and plenaries and useful websites, and the author's own website offers resources to save you even more time. A must for all primary school teachers who want to become outstanding, not just for the inspectors but for every child they teach.
Tinderbox
Megan Dunn had lost the plot—in her life and in her art. Her attempt to write a fictional tribute to Fahrenheit 451 wasn’t going well. Her employer, the bookseller Borders, was going bust. Her marriage was failing. Her prospects were narrowing. The world wasn’t quite against her – but it wasn’t with her either. Riffing on Ray Bradbury’s classic novel about the end of reading, Tinderbox is one of the most interesting books in decades about literary culture and its place in the world. More than that, it’s about how every one of us fits into that bigger picture – and the struggle to make sense of life in the twenty-first century. Ironically enough for a book about failures in ar...
A Natural History of the Future
Over the past century, our species has made unprecedented technological innovations with which we have sought to control nature. In A Natural History of the Future, biologist Rob Dunn argues that such efforts are futile. We may see ourselves as life's overlords, but we are instead at its mercy. In the evolution of antibiotic resistance, the power of natural selection to create biodiversity, and even the surprising life of the London Underground, Dunn finds laws of life that no human activity can annul. When we create artificial islands of crops, dump toxic waste, or build communities, we provide new materials for old laws to shape. Life's future flourishing is not in question. Ours is. A Natural History of the Future sets a new standard for understanding the diversity and destiny of life itself.
Seeing Being Seen
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
