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The Powers of Speech
  • Language: en
  • Pages: 324

The Powers of Speech

In this definitive study, David Bathrick examines East German culture both before and after the fall of the Berlin Wall in November 1989. Bathrick argues that dissident East German writers were unique among East European literary intellectuals in that they attempted “to open up alternative spaces for public speech from within [the] framework” of Marxism and state socialism. According to Bathrick, “the fact that some of them had been censored, hunted, questioned, and ridiculed does not belie the fact that they were also—and sometimes even simultaneously—privileged, nurtured, courted, and coddled. . . . It was precisely their function on ‘both sides’ of the power divide, as offic...

Unmasking Hitler
  • Language: en
  • Pages: 272

Unmasking Hitler

  • Type: Book
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  • Published: 2005
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  • Publisher: Peter Lang

Among the many studies on German National Socialism that have appeared in the last forty to fifty years, one aspect has seldom been treated in detail: the cultural representations of Adolf Hitler from the late 1920s to the present. This book focuses on the image of Hitler in literature, photography, historiography, film, philosophy, theatre, and comic books by major artists and scholars such as Ernst Ottwalt, Heinrich Hoffmann, Bertolt Brecht, John Hearfield, Leni Riefenstahl, Charles Chaplin, Theodor W. Adorno, Heiner Muller, and George Tabori.

Visualizing the Holocaust
  • Language: en
  • Pages: 347

Visualizing the Holocaust

Collection of essays exploring the controversies surrounding images of the Holocaust

Complicity, Censorship and Criticism
  • Language: en
  • Pages: 237

Complicity, Censorship and Criticism

The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All ...

Popular Dissent, Human Agency and Global Politics
  • Language: en
  • Pages: 312

Popular Dissent, Human Agency and Global Politics

Popular dissent, such as street demonstrations and civil disobedience, has become increasingly transnational in nature and scope. As a result, a local act of resistance can acquire almost immediately a much larger, cross-territorial dimension. This book draws upon a broad and innovative range of sources to scrutinise this central but often neglected aspect of global politics. Through case studies that span from Renaissance perceptions of human agency to the collapse of the Berlin Wall, the author examines how the theory and practice of popular dissent has emerged and evolved during the modern period. Dissent, he argues, is more than just transnational. It has become an important 'transversal' phenomenon: an array of diverse political practices which not only cross national boundaries, but also challenge the spatial logic through which these boundaries frame international relations.

Eastern Europe
  • Language: en
  • Pages: 720
Entering History
  • Language: en
  • Pages: 268

Entering History

  • Type: Book
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  • Published: 2004
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  • Publisher: Peter Lang

This book offers a thorough examination of the novels of Irmtraud Morgner (1933-1990), one of the most talented, compelling and overlooked writers within East German feminist and avant-garde circles. Using a combination of theoretical approaches - including Adorno's aesthetic theories and Bakhtinian analyses of dialogism and the carnivalesque - the author traces Morgner's engagement with postmodernist aesthetic strategies back to her efforts, beginning in the early 1970s, to pose questions about effective political practices. Morgner's work sheds new light on the fraught relationship between GDR intellectuals and the state, a hotly debated topic that marks most recent attempts to understand literary culture in the German Democratic Republic. Situating Morgner's fiction at the intersection of postmodern and feminist theory, this study also offers new evidence for viewing literature from the GDR as significantly more complex and aesthetically interesting than has been previously assumed.

Theatre in the Berlin Republic
  • Language: en
  • Pages: 342

Theatre in the Berlin Republic

  • Type: Book
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  • Published: 2008
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  • Publisher: Peter Lang

This work's focus is on theatre at the intersection of culture and politics during and after German reunification and the evolution of the Berlin Republic. It contains the proceedings of a symposium that took place in Melbourne in September 2006.

The End of Modernism
  • Language: en
  • Pages: 302

The End of Modernism

Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

  • Language: en
  • Pages: 280

"Landscape Imagery, Politics, and Identity in a Divided Germany, 1968?989 "

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

Landscape Imagery, Politics and Identity in a Divided Germany, 1968-1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre. Catherine Wilkins focuses on recovering the agency of the individual artist and in revising historiography with sensitivity to narration 'from below.' Inter...