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Dictionary of Artists in Britain Since 1945
The Dictionary of Artists in Britain Since 1945 covers painters, sculptors, mural painters and performance, installation and video artists as well as notable teachers.
Artists of the East London Group
The remarkable story of how a group of untrained London artists became an art world sensation in the interwar years. This is the first study of the East London Group, an important group of artists, who despite achieving commercial success in the late 1920s and early 1930s, are largely unknown today. Their atmospheric paintings depicting scenes from everyday life and their London surroundings are now highly sought after as the talents of the group are being rediscovered. Inspired by the charismatic teacher John Cooper, its artists, mainly working-class people with little art world experience, achieved shows at the Whitechapel Art Gallery, Tate Gallery, and around the UK. Then, amazingly, two of them reached the Venice Biennale in 1936. This fascinating book is based on correspondence and interviews with the group members plus archival research over many years. Richly illustrated, the group’s story is examined in captivating detail, with biographies of all the artists and a list showing where readers can see their paintings today.
Spitalfields Life
"I am going to write every single day and tell you about my life here in Spitalfields at the heart of London..." Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London. Everything you seek in London can be found here - street life, street art, markets, diverse food, immigrant culture, ancient houses and history, pageants and parades, rituals and customs, traditional trades and old family businesses. Spend a night in the bakery at St John, ride the rounds with the Spitalfields milkman, drop in to the Golden Heart for a pint, meet a fourth-generation paper bag seller, a mudlark who discovers treasure in the river Thames, a window cleaner who sees ghosts and a master bell-founder whose business started in 1570. Join the bunny girls for their annual reunion, visit the wax sellers of Wentworth Street and discover the site of Shakespeare's first theatre. All of human life is here in Spitalfields Life.
Charles Debenham's East Anglia
Charles Debenham has recorded the face of East Anglia in his paintings for about 40 years. Along with the 80 paintings of corner shops, interesting streets and quirky buildings, he tells how he came to paint each picture.
East End Vernacular
'East End Vernacular' presents a magnificent selection of pictures - many never published before - revealing the evolution of painting in the East End of London and tracing the changing character of the streets through the 20th century.
Artists of the East London Group
The remarkable story of how a group of untrained London artists became an art world sensation in the interwar years. This is the first study of the East London Group, an important group of artists, who despite achieving commercial success in the late 1920s and early 1930s, are largely unknown today. Their atmospheric paintings depicting scenes from everyday life and their London surroundings are now highly sought after as the talents of the group are being rediscovered. Inspired by the charismatic teacher John Cooper, its artists, mainly working-class people with little art world experience, achieved shows at the Whitechapel Art Gallery, Tate Gallery, and around the UK. Then, amazingly, two of them reached the Venice Biennale in 1936. This fascinating book is based on correspondence and interviews with the group members plus archival research over many years. Richly illustrated, the group’s story is examined in captivating detail, with biographies of all the artists and a list showing where readers can see their paintings today.
Tatlin's Tower
The plans for the gigantic Monument to the Third International were completed in 1920 by Vladimir Tatlin, the Russian painter and visionary designer who was a key figure of Russian constructivism. Planned as the headquarters and monument of the Comintern in Petrograd, it was to be made from industrial materials—iron, glass, and steel—as a towering symbol of modernity. Because of the political turmoil and housing shortages in Russia after the 1917 Revolution, the building was never constructed, but it remains a celebrated icon of revolutionary art. In this insightful book, Norbert Lynton investigates the sources and symbolism of Tatlin’s Tower and considers not only its significance but also the broader role of allegory in abstraction and as an expression of man’s highest aspirations. Then, in light of his new symbolic reading of the Tower, Lynton examines Tatlin’s flying machine, Letatlin, and earlier works in his career and discusses their impact on other Russian painters, sculptors, designers, and architects of his era.
College Drinking and Drug Use
Substance use among college students can result in serious academic and safety problems and have long-term negative repercussions. This state-of-the-art volume draws on the latest research on students' alcohol and drug use to provide useful suggestions for how to address this critical issue on college campuses. Leading researchers from multiple disciplines examine the prevalence and nature of substance use by students; biological and neuropsychological considerations; psychological and social aspects; prevention; and policy. Exemplary programs are presented -- including brief interventions, comprehensive prevention programs, and recovery support programs -- enhancing the utility of the book for campus-based clinicians and administrators. This title is part of The Duke Series in Child Development and Public Policy, edited by Kenneth A. Dodge and Martha Putallaz.
