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What do flowers, skulls and contact sheets have in common? Not much you might think, but David Bailey begs to differ. This book combines Bailey's recent colour photographs of still-life flowers and skulls, with black and white contacts of his iconic celebrity portraiture and fashion work from the 1960s.
Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musical heritage with its Anglo-Saxon neighbors, producing a unique hybrid which Bailey called "black hillbilly." A virtuoso on the harmonica, guitar, and banjo, Bailey became one of the Grand Old Opry's earliest stars during the 1920s, only to be fired from the Opry in 1941 during one of the Opry's more repressive eras. Bailey's story is told mainly in his own words through interviews conducted by his longtime friend Morton, with Wolfe (English and folklore, Middle Tennessee State Univ.) providing cultural and historical background. The authors' stated goal was to write a book of universal appeal, and indeed the work is a fascinating cultural history. -- Library Journal
Between 1926 and 1929, thousands of Mexicans fought and died in an attempt to overthrow the government of their country. They were the Cristeros, so called because of their battle cry, ¡Viva Cristo Rey!—Long Live Christ the King! The Cristero rebellion and the church-state conflict remain one of the most controversial subjects in Mexican history, and much of the writing on it is emotional polemic. David C. Bailey, basing his study on the most important published and unpublished sources available, strikes a balance between objective reporting and analysis. This book depicts a national calamity in which sincere people followed their convictions to often tragic ends. The Cristero rebellion c...
Includes portraits taken in Naga Hills, Papua New Guinea, Delhi, India, Australia and the Sudan.
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
The Mexican revolution began in 1910 with high hopes and a multitude of spokesmen clamoring for a better life for ordinary Mexicans. This anthology examines how the revolution brought change and often progress. Women, the landless, the poor, the country folk are among those receiving consideration in the twenty-seven readings, which range from political and economic to social and intellectual history. About half of the selections are previously unpublished. Combining the best new scholarship by modern historians; outstanding work by distinguished Mexicanists of the past; excerpts from mexico's finest fiction, poetry, and commentary; reminiscence; cartoons and illustrations, Twentieth-Century Mexico brilliantly illuminates the Mexican experience from Porfirio D�az to petrodollars. The concluding chapter ties together the strands of twentieth-century Mexican culture to help U.S. readers understand not only Mexico's present situation but also its relations with the Colossus of the North. Like its predecessor, Mexico: From Independence to Revolution (UNP, 1982), this book includes suggestions for further reading and an index.
The extraordinary, riotous life of iconic photographer David Bailey - from the Second World War to the Swinging Sixties, from Eighties excess to the present day.
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This book traces the lives of slaves before, during, and after the largest slave auction in US history in 1859.