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Within in these covers is a great document of our era--the work of great photographers, capturing the timeless images of momentous events and important figures that have altered and illuminated our lives.
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There is the raw edge of combat portrayed at the siege of St. Malo and in the bitterly fought Alsace campaign, and the disbelief and outrage Miller describes on witnessing the victims of Dachau. The war's horror is relieved by the spirit of post-liberation Paris, where she indulged in frivolous fashions and recorded memorable conversations with Picasso, Cocteau, Eluard, Aragon, and Colette. The book ends with Miller's on-the-scene report giving a sardonic description of Hitler's abandoned house in Munich and the looting and burning of his alpine fortress at Berchtesgaden, which marked a symbolic end to the war.
Pictures created by scores of Life photographers and artists document the victories and losses of the Second World War and capture the many moods of wartime America
"The First of the Many were the original officers, the combat crews and ground crews of the British-based 8th US Army Air Force - the first American invaders of Germany. This book tells the stories of the men and their deeds as they told them to 'Tex' McCrary, who shared ten missions with them as a photographer-gunner. Among the 'first of many' were fighter pilots who had been in the Philippines and the South Pacific; and the eagles, impatient young Americans who joined the RAF before Pearl Harbor, later transferring to the 8th. This is the story of epic military importance: the accomplishment of precision bombing of German targets by day. It is also a personal history of the men who took part, who recount in their own words their spectacular and legendary exploits."--jacket flap.
Lee Miller was a Vogue cover girl, Man Ray's lover, the first photojournalist at the liberation of Dachau and Buchenwald, and one of the most important female photographers of the 20th century. Combining fine art and urban wit, her photographic technique was learned from the great photographers of her day, among them are Edward Steichen, Man Ray and George Hoyningen-Huene. Becky E. Conekin's Lee Miller in Fashion gives us a wide lens view on Miller's fashion photography. Set against the fast-changing landscapes of New York, Paris, and London, it reveals a neglected chapter in Miller's life: how this incredible woman challenged conventions and broke boundaries in her fashion photography for the leading magazines of the day. Using never-before-seen photographs and archival research, Conekin shows how Miller's fashion photographs were a brilliant combination of sharp wit, high art and modernist edge--Source other than Library of Congess.
Image based book on the Surrealist photography of Lee Miller. Essay of approx 7500 words by her son Antony Penrose included and extended captions supplied for 100 images.
Pictures created by scores of Life photographers and artists document the victories and losses of the Second World War and capture the many moods of wartime America
The first in-depth look at Lee Miller's perspective on women in the Second World War, as seen through her photography and commentary from experts in the field Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered—in fact she was among the most important photographers on the subject of the twentieth century. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the...
Beautiful, bewitching and an exceptionally good photographer, Lee Miller was one of lifes adventurers. She became a Vogue cover girl in 1920s New York before embracing Paris, photography and Surrealism, and then dramatically changed her life yet again, reinventing herself as a war correspondent, notably covering the liberation of Dachau. These are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose. Featuring a selection of Millers finest work, including portraits of her friends Picasso, Tanning and Ernst, Penroses tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.